A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
It is this sudden enlivening of the commonplaces of Romance with vivid
picture and phrase which puts _Partenopeus_ high among its fellows. The
story is very simple, and the variation and multiplication of episodic
adventure unusually scanty; while the too common genealogical preface is
rather exceptionally superfluous. That the Count of Blois is the nephew
of Clovis can interest--outside of a peculiar class of antiquarian
commentator--no mortal; and the identification of "Chef-d'Oire,"
Melior's enchanted capital, with Constantinople, though likely enough,
is not much more important. Clovis and Byzantium (of which the
enchantress is Empress) were well-known names and suited the _abonne_ of
those times. The actual "argument" is of the slightest. One of Spenser's
curious doggerel common measures--say:
A fairy queen grants bliss and troth
On terms, unto the knight:
His mother makes him break his oath,
Her sister puts it right--
would almost do; the following prose abstract is practically exhaustive.
Partenopeus, Count of Blois, nephew of King Clovis of France, and
descendant of famous heroes of antiquity, including Hector, the most
beautiful and one of the most valiant of men, after displaying his
prowess in a war with the Saracen Sornagur, loses his way while hunting
in the Ardennes. He at last comes to the seashore, and finds a ship
which in fifteen days takes him to a strange country, where all is
beautiful but entirely solitary. He finds a magnificent palace, where he
is splendidly guested by unseen hands, and at last conducted to a
gorgeous bedchamber. In the dark he, not unnaturally, lies awake
speculating on the marvel; and after a time light footsteps approach the
bed, and a form, invisible but tangible, lies down beside him. He
touches it, and finds it warm and soft and smooth, and though it
protests a little, the natural consequences follow. Then the lady
confesses that she had heard of him, had (incognita) seen him at the
Court of France, and had, being a white witch as well as an Empress,
brought him to "Chef d'Oire," her capital, though she denies having
intentionally or knowingly arranged the shepherd's hour itself.[67] She
is, however, as frank as Juliet and Miranda combined. She will be his
wife (she makes a most interesting and accurate profession of Christian
orthodoxy) if he will marry her; but it is impossible for the remainder
of a period of which two and a half years have still to run, and at the
end of which, and not till then, she has promised her vassals to choose
a husband. Meanwhile, Partenopeus must submit to an ordeal not quite so
painful as hot ploughshares. He must never see her or attempt to see
her, and he must not, during his stay at Chef d'Oire, see or speak to
any other human being. At the same time, hunting, exploring the palace
and the city and the country, and all other pastimes independent of
visible human companionship, are freely at his disposal by day.
Public-domain text, read in full here on John Shaqi.
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