A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
[58] For a picture of an actual grisette, drawn by perhaps the greatest
master of artistic realism (adjective and substantive so seldom found in
company!) who ever lived, see that _Britannia_ article of Thackeray's
before referred to--an article, for a long time, unreprinted, and
therefore, till a comparatively short time ago, practically unknown.
This and its companion articles from the _Britannia_ and the _Corsair_,
all of 1840-41, but summarising ten or twelve years' knowledge of Paris,
form, with the same author's _Paris Sketch Book_ (but as representing a
more mature state of his genius), the best commentary on Paul de Kock.
They may be found together in the third volume of the Oxford Thackeray
edited by the present writer.
[59] Unless they start from the position that an English writer on the
French novel is bound to follow--or at least to pay express attention
to--French criticism of it. This position I respectfully but unalterably
decline to accept. A critical tub that has no bottom of its own is the
very worst Danaid's vessel in all the household gear of literature.
[60] The scene and society are German, but the author knows the name to
have been originally English.
[61] Such, perhaps, as Gibbon himself may have used while he "sighed as
a lover" and before he "obeyed as a son." It should perhaps be said that
Mme. de Montolieu produced many other books, mostly translations--among
the latter a French version of _The Swiss Family Robinson_.
[62] In dealing with "Sensibility" earlier, it was pointed out how
extensively things were dealt with by _letter_. In such cases as these
the fashion came in rather usefully.
[63] The treatment of the authors here mentioned, _infra_, will, I hope,
show that the introduction of their names is not merely "promiscuous."
[64] I am quite prepared to be told that this was somebody else or
nobody at all. "Moi, je dis Madame de Genlis."
[65] P. 436.
[66] The kind endeavours of the Librarian of the London Library to
obtain some in Paris itself were fruitless, but the old saying about
neglecting things at your own door came true. My friend Mr. Kipling
urged me to try Mr. George Gregory of Bath, and Mr. Gregory procured me
almost all the books I am noticing in this division.
[67] The British Museum (see Preface) being inaccessible to me.
[68] Readers will doubtless remember that the too wild career of this
kind of vehicle, charioteered by wicked aristocrats, has been among the
thousand-and-three causes assigned for the French Revolution.
[69] Of course the author of the glossaries himself was, by actual
surname, Dufresne, Ducange being a seignory.
[70] It should be observed that a very large number of these minor
novels, besides those specially mentioned as having undergone the
process, from Ducray's downwards, were melodramatised.
Public-domain text, read in full here on John Shaqi.
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