A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
Of course it may be said, "You should not give judgments on things with
which you are evidently out of sympathy." But I do not acknowledge any
palpable hit. If certain purposes of the opposite kind were obtruded
here in the same fashion--if Victor (as he might have done in earlier
days) had hymned Royalism instead of Republicanism, or (as perhaps he
would never have done) had indulged in praise of severe laws and
restricted education,[104] and other things, I should be "in sympathy,"
but I hope and believe that I should not be "out of" criticism. Unless
strictly adjusted to the scale and degree suitable to a novel--as Sir
Walter has, I think, restricted his Mariolatry and his Jacobitism, and
so forth--I should bar them as I bar these.[105] And it is the fact that
they are not so restricted, with the concomitant faults which, again
purely from the point of view of novel-criticism as such, I have
ventured to find, that makes me consider _Les Miserables_ a failure as a
novel. Once again, too, I find few of the really good and great
things--which in so vast a book by such a writer are there, and could
not fail to be there--to be essentially and specially good and great
according to the novel standard. They are, with the rarest exceptions,
the stuff of drama or of poetry, not of novel. That there are such
exceptions--the treacherous feast of the students to the mistresses they
are about to desert; the escapes of Valjean from the ambushes laid for
him by Thenardier and Javert; some of the Saint-Merry fighting; the
guesting of the children by Gavroche in the elephant; and others--is
true. But they are oases in a desert; and, save when they would be
better done in poetry, they do not after all seem to me to be much
better done than they might have been by others--the comparative
weakness of Hugo in conversation of the kind suitable for prose fiction
making itself felt. That at least is what the present writer's notion of
criticism puts into his mouth to say; and he can say no other.
[Sidenote: _Les Travailleurs de la Mer._]
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