A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
With such colour and form of locality to serve, not merely as
inspiration but as actual scene and setting, such genius as Hugo's could
hardly fail. The thing is sad and delightful and great. As life, you may
say, it could not have happened; as literature it could not but have
happened, and has happened, at its best, divinely well. The contrast of
the long agony of effort and its triumph on the Douvres, with the swift
collapse of any possible reward at St. Samson, is simply a windfall of
the Muses to this spoiled and, it must be confessed, often self-spoiling
child of theirs. There are, of course, absurdities still, and of a
different kind from the bug-pipe. I have always wished to know what the
experiences of the fortunate and reverend but sheepish Ebenezer had been
at Oxford--he must certainly have held a King Charles scholarship in his
day--during that full-blooded time of the Regency. The circumstances of
the marriage are almost purely Hugonian, though it does Hugo credit that
he admires the service which he travesties so remarkably. But the _Dieu_
(not _diable_) _au corps_ which he now enjoys enables him to change into
a beauty (in the wholly natural gabble of Mess Lethierry on the recovery
of the _la Durande_) those long speeches which have been already noted
as blots. And, beauty or blot, it would not have mattered. All is in the
contrast of the mighty but conquered Douvres and the comparatively
insignificant rocklet--there are hundreds like it on every granite
coast--where Death the Consoler sets on Gilliatt's head the only crown
possible for his impossible feat, and where the dislike of the ignorant
peasantry, the brute resistance of machinery and material, the violence
of the storm, the devilish ambush of the _pieuvre_, and all other evils
are terminated and evaded and sanctified by the embrace and the
euthanasia of the sea. Perhaps it is poetry rather than novel or even
romance--in substance it is too abstract and elemental for either of the
less majestical branches of inventive literature. But it is great. "By
God! 'tis good," and, to lengthen somewhat Ben's famous challenge, "if
you like, you may" put it with, and not so far from, in whatever order
you please--the deaths of Cleopatra and of Colonel Newcome.
Public-domain text, read in full here on John Shaqi.
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