A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
Never had I been so happy. For the moment I had forgotten
everything, and thought no more of my priesthood than of
some previous state of life. From that night forward my
existence was as it were doubled, and there were in me two
men, strangers each to the other's existence. Sometimes I
thought myself a priest who dreamt that he was a gallant,
sometimes a gallant who dreamt that he was a priest.... I
could not distinguish the reality from the illusion, and
knew not which were my waking and which my sleeping moments.
Two spirals, entangled without touching, form the nearest
representation of this life. The young cavalier, the
coxcomb, the debauchee, mocked the priest; the priest held
the dissipations of the gallant in horror. Notwithstanding
the strangeness of the situation, I do not think my reason
was for a moment affected. The perceptions of my two
existences were always firm and clear, and there was only
one anomaly which I could not explain, and this was that the
same unbroken sentiment of identity subsisted in two beings
so different. Of this I could give myself no explanation,
whether I thought myself to be really the vicar of a poor
country village, or else Il Signor Romualdo, lover in
possession of Clarimonde.
The place, real or apparent, of Il Signor Romualdo's sojourn with his
beloved is Venice, where they inhabit a gorgeous palace, and where
Romuald enters into all the follies and dissipations of the place. He is
unalterably faithful to Clarimonde, and she to him; and the time passes
in a perpetual delirium. But every night--as it now seems to him--he
finds himself once more a poor country priest, horrified at the misdeeds
of his other personality, and seeking to atone for them by prayer and
fasting and good works. Even in his Venetian moments he sometimes thinks
of Serapion's words, and at length he has especial reason to remember
them.
Public-domain text, read in full here on John Shaqi.
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