A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
There is no trick in either of the others, though in one of them there
is the supernatural--_not_ explained. But they are examples--closely and
no doubt intentionally juxtaposed--in two different kinds, both of them
exceptionally difficult and dangerous: the story of more or less
ordinary life, with only a few suggestions of anything else, which
resolves itself into horrible tragedy; and the story, again of ordinary
life, with a tragic suggestion in the middle, which unknits itself into
pure comedy at the end.
[Sidenote: _Lokis._]
_Lokis_ is a story of lycanthropy, or rather _arct_anthropy. A
Lithuanian Count's mother has been carried off, soon after her marriage,
by a bear, and just rescued with a lucky shot at the monster. She goes,
as is not very wonderful, quite mad, does not recover when her child is
born, and is under restraint in her own house, as wife and widow, for
the term of her life. Her son, however, shows no overt symptoms of
anything wrong except fits of melancholy and seclusion, being in other
respects a gentleman of most excellent "havings"--handsome, brave,
sportsmanlike, familiar with the best European society, and even
something of a scholar. He entertains a German minister and professor,
whose special forte is Lithuanian, in order that the pundit may study
some rare books and MSS. in his library; and his guest, being a great
traveller, a good rider, and, though simple in his ways, not at all
unlike a man of this world, makes a friend of him. It so happens, too,
that they have a common acquaintance--a neighbour, and, as is soon seen,
an idol of the Count's, Mademoiselle Julie Ivinska, very pretty, very
merry, and, if not very wise, clever enough to take in the scholar, on
his own ground, with a vernacular ("jmoude") version of one of
Mickiewitz's poems. All goes well in a way, except for occasional
apparitions of the poor mad Countess; but there is a rather threatening
episode of a ride into a great forest, which is popularly supposed to
contain a "sanctuary of the beasts," impenetrable by any hunter, and in
which they actually meet a local sorceress, with a basket of poisonous
mushrooms and a tame snake in it. Another episode gives us odd comments,
and a sort of nightmare afterwards, of the Count, when his guest happens
to mention the blood-drinking habits of the South American gauchos, in
which the professor himself has been forced to take part.
Public-domain text, read in full here on John Shaqi.
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