A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
[223] And perhaps in actual life, if not in literature, I should prefer
a young woman who might possibly have me murdered if she discovered a
blood-feud between my ancestors and hers, to one in whose company it
would certainly be necessary to keep a very sharp look-out on my watch.
The two risks are not equally "the game."
[224] Many a reader, I hope, has been reminded, by one or the other, or
both, of the _Anatomy of Melancholy_, which also contains the story: and
has gone to it with the usual consequence of reading nothing else for
some time.
[225] "Merimee etait gentilhomme: Sainte-Beuve ne l'etait pas." I forget
who said this, but it was certainly said, and I think it was true.
[226] This is not merely a waste of explosives. I have actually seen the
story dismissed as a "merely faithful record of the facts" or something
of the sort. One was at least obliged to the man for reminding one of
Partridge on Garrick.
[227] A very "gentle" reader may perceive something _not_ quite
explained, and I should be happy to allow it.
[228] And perhaps--though Merimee does not allege this--by doing good to
his neighbours likewise; for he rescues twelve companions of his own
naughtiness from the infernal regions. The mixture of pagan and
Christian eschatology, if not borrowed, is exceedingly well and suitably
"found."
[229] He had at one time introduced a smirch of grime by which nothing
was gained and a good deal lost--the abduction being not at once cut
short, and the bear being suggested as the Count's actual sire (see
Burton again). But he had the taste as well as the sense to cut this
out. The management of the outsiders mentioned above contrasts
remarkably in point of art with the similar things which, as noted (_v.
sup._ pp. 93-4), do _not_ improve _Ines de las Sierras_.
[230] He blue-spectacled, she black-veiled.
[231] Uncarpeted and polished, French fashion, of course.
[232] Merimee represents his Englishman (and an Englishman who can read
Greek, too!) as satisfied with, and ordering a second bottle of, an
extemporised "port" made of ratafia, "quinze sous" _ordinaire_, and
brandy! This could deceive few Englishmen; and (till very recent years)
absolutely no Englishman who could read Greek at a fairly advanced
period of life. From most of the French Novelists of the time it would
not surprise us; but from Merimee, who was constantly visiting England
and had numerous English friends, it is a little odd. It may have been
done _lectoris gratia_ (but hardly _lectricis_), to suit what even the
other novelists just mentioned occasionally speak of as the _Anglais de
vaudeville_.
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