[Vidocq, of the French secret police, thus writes of the Hungarian Gipsies, visiting the west of Europe: Raising my eyes towards a crowd in front of a menagerie, I perceived one of the _false jockeys_ taking the purse of a fat glazier, whom we saw the next moment seeking for it in his pocket; the _Bohemian_ then entered a jeweller's shop, where were already two of the _pretended Zealand peasants_, and my companion assured me that he would not come out until he had pilfered some of the jewels that were shown to him. In every part of the fair where there was a crowd, I met some of the lodgers of the Duchess, (the inn kept by a Gipsy woman in which he had spent the previous night.)--ED.] Many of the male Gipsies used a piece of strong leather, like a sailmaker's palm, having a short piece of sharp steel, like the point of a surgeon's lancet, where the sailmaker has his thimble. The long sleeves of their coats concealed the instrument, and when they wished to cut a purse out of an arm-pocket, they stretched out the arm, and ran it flatly and gently along the cloth of the coat, opposite the pocket of the individual they wished to plunder. The female Gipsies wore, upon their forefingers, rings of a peculiar construction, yet nothing unusual in their appearance, excepting their very large size. On closing the hand, the pressure upon a spring sent forth, through an aperture or slit in the ring, a piece of sharp steel, something like the manner in which a bee thrusts out and withdraws its sting. With these ingenious instruments the female Gipsies cut the outside of the pockets of their victims, exactly as a glazier runs his diamond over a sheet of glass. The opening once made by the back of the forefinger, the hand, following, was easily introduced into the pocket. In the midst of a crowded fair, the dexterous Gipsies, with their nimble fingers, armed with these invisible instruments, cut the pocket-books and purses of the honest farmers, as if they had been robbed by magic. So skillful were the wife and one of the sisters of Charles Wilson, in the art of thieving, that although the loss of the pocket-book was, in some instances, immediately discovered, nothing was ever found upon their persons by which their guilt could be established. No instrument appeared in their possession with which the clothes of the plundered individuals could have been cut, as no one dreamt that the rings on their fingers contained tools so admirably adapted for such purposes.