A history of the Japanese people : $b from the earliest times to the end of the Meiji eraBrinkley, F. (Frank)
History
A history of the Japanese people : $b from the earliest times to the end of the Meiji era
Brinkley, F. (Frank)
Japan -- Civilization; Japan -- History
The religious fanaticism of the Emperor Shomu and his consort, Komyo,
brought disorder into the affairs of the Imperial Court, and gave
rise to an abuse not previously recorded, namely, favouritism with
its natural outcome, treasonable ambition. It began to be doubtful
whether the personal administration of the sovereign might not be
productive of danger to the State. Thus, patriotic politicians
conceived a desire not to transfer the sceptre to outside hands but
to find among the scions of the Imperial family some one competent to
save the situation, even though the selection involved violation of
the principle of primogeniture. The death of the Empress Shotoku
without issue and the consequent extinction of the Emperor Temmu's
line furnished an opportunity to these loyal statesmen, and they
availed themselves of it to set Konin upon the throne, as will be
presently described.
In this crisis of the empire's fortunes, the Fujiwara family acted a
leading part. Fuhito, son of the illustrious Kamatari, having
assisted in the compilation of the Daika code and laws, and having
served throughout four reigns--Jito, Mommu, Gemmyo, and Gensho--died
at sixty-two in the post of minister of the Right, and left four
sons, Muchimaro, Fusazaki, Umakai, and Maro. These, establishing
themselves independently, founded the "four houses" of the Fujiwara.
Muchimaro's home, being in the south (nan) of the capital, was called
Nan-ke; Fusazaki's, being in the north (hoku), was termed Hoku-ke;
Umakai's was spoken of as Shiki-ke, since he presided over the
Department of Ceremonies (Shiki), and Maro's went by the name of
Kyo-ke, this term also having reference to his office. The
descendants of the four houses are shown in the following table:
Public-domain text, read in full here on John Shaqi.
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