A History of the Moravian ChurchHutton, J. E. (Joseph Edmund)
Religion
A History of the Moravian Church
Hutton, J. E. (Joseph Edmund)
Moravian Church -- History
divorce them when they thought fit, tear children from their parents,
and dispatch them to distant corners of the earth. But the great object
of the Moravians, said Rimius, was to secure liberty for themselves to
practise their sensual abominations. He supported his case by quoting
freely, not only from Zinzendorf's sermons, but also from certain German
hymn-books which had been published at Herrnhaag during the "Sifting
Time"; and as he gave chapter and verse for his statements, he succeeded
in covering the Brethren with ridicule. He accused them of blasphemy and
indecency. They spoke of Christ as a Tyburn bird, as digging for roots,
as vexed by an aunt, and as sitting in the beer-house among the scum of
society. They sang hymns to the devil. They revelled in the most hideous
and filthy expressions, chanted the praises of lust and sensuality,
and practised a number of sensual abominations too loathsome to be
described. At one service held in Fetter Lane, Count Zinzendorf, said
Rimius, had declared that the seventh commandment was not binding on
Christians, and had recommended immorality to his congregation.[131] It is
impossible to give the modern reader a true idea of the shocking picture
of the Brethren painted by Rimius. For malice, spite, indecency
and unfairness, his works would be hard to match even in the vilest
literature of the eighteenth century. As his books came out in rapid
succession, the picture he drew grew more and more disgusting. He wrote
in a racy, sometimes jocular style; and, knowing the dirty taste of the
age, he pleased his public by retailing anecdotes as coarse as any in
the "Decameron." His chief object was probably to line his own pockets.
His first book, "The Candid Narrative," sold well. But his attack was
mean and unjust. It is true that he quoted quite correctly from the
silly literature of the Sifting-Time; but he carefully omitted to state
the fact that that literature had now been condemned by the Brethren
themselves, and that only a few absurd stanzas had appeared in English.
At the same time, in the approved fashion of all scandal-mongers,
he constantly gave a false impression by tearing passages from their
original connection. As an attack on the English Brethren, his work was
dishonest. He had no solid evidence to bring against them. From first to
last he wrote almost entirely of the fanatics at Herrnhaag, and fathered
their sins upon the innocent Brethren in England.
Public-domain text, read in full here on John Shaqi.
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