contended that his purpose was good, and justified by the results; and that, as soon as he found himself misunderstood, he had cut out all doubtful phrases from his discourses. James Hutton explained their use of childish language. At this period the Brethren, in some of their hymns, used a number of endearing epithets which would strike the modern reader as absurd. For example, they spoke of the little Lamb, the little Jesus, the little Cross-air Bird. But even here they were not so childish as their critics imagined. The truth was, these phrases were Bohemian in origin. In the Bohemian language diminutives abound. In Bohemia a servant girl is addressed as "demercko"--i.e., little, little maid; and the literal translation of "mug mily Bozicko"--a phrase often used in public worship--is "my dear, little, little God." But the Brethren had a better defence than writing pamphlets. Instead of taking too much notice of their enemies, they began to set their English house in order. For the first time they now published an authorized collection of English Moravian hymns {1754.}; and in the preface they clearly declared their purpose. The purpose was twofold: first, the proclamation of the Gospel; second, the cultivation of personal holiness. If we judge this book by modern standards, we shall certainly find it faulty; but, on the other hand, it must be remembered that it rendered a very noble service to the Christianity of the eighteenth century. The chief burden of the hymns was Ecce Homo. If the Brethren had never done anything else, they had at least placed the sufferings of Christ in the forefront of their message. With rapturous enthusiasm the Brethren depicted every detail of the Passion History; and thus they reminded their hearers of events which ordinary Christians had almost forgotten. At times the language they used was gruesome; and, lost in mystic adoration, the Brethren, in imagination, trod the Via Dolorosa. They nestled in the nail-prints; they kissed the spear; they gazed with rapt and holy awe on the golden head, the raven locks, the pallid cheeks, the foaming lips, the melting eyes, the green wreath of thorns, the torn sinews, the great blue wounds, and the pierced palms, like rings of gold, beset with rubies red. In one stanza they abhorred themselves as worms; in the next they rejoiced as alabaster doves; and, glorying in the constant presence of the Well-Beloved, they feared not the King of Terrors, and calmly sang of death as "the last magnetic kiss, to consummate their bliss." But, despite its crude and extravagant language, this hymn-book was of historic importance. At that time the number of hymn-books in England was small; the Anglicans had no hymn-book at all, and never sang anything but Psalms; and thus the Brethren were among the first to make the adoration of Christ in song an essential part of public worship. It was here that the Brethren excelled, and here that they helped to free English Christianity from