Thus, in a halo of tearful glory, the Count-Bishop was laid to rest. For many years the Brethren cherished his memory, not only with affection, but with veneration; and even the sober Spangenberg described him as "the great treasure of our times, a lovely diamond in the ring on the hand of our Lord, a servant of the Lord without an equal, a pillar in the house of the Lord, God's message to His people." But history hardly justifies this generous eulogy; and Spangenberg afterwards admitted himself that Zinzendorf had two sides to his character. "It may seem a paradox," he wrote, "but it really does seem a fact that a man cannot have great virtues without also having great faults." The case of Zinzendorf is a case in point. At a Synod held a few years later (1764), the Brethren commissioned Spangenberg to write a "Life of Zinzendorf." As the Count, however, had been far from perfect, they had to face the serious question whether Spangenberg should be allowed to expose his faults to public gaze. They consulted the Lot: the Lot said "No"; and, therefore, they solemnly warned Spangenberg that, in order to avoid creating a false impression, he was "to leave out everything which would not edify the public." The loyal Spangenberg obeyed. His "Life of Zinzendorf" appeared in eight large volumes. He desired, of course, to be honest; he was convinced, to use his own words, that "an historian is responsible to God and men for the truth"; and yet, though he told the truth, he did not tell the whole truth. The result was lamentable. Instead of a life-like picture of Zinzendorf, the reader had only a shaded portrait, in which both the beauties and the defects were carefully toned down. The English abridged edition was still more colourless.[136] For a hundred years the character of Zinzendorf lay hidden beneath a pile of pious phrases, and only the recent researches of scholars have enabled us to see him as he was. He was no mere commonplace Pietist. He was no mere pious German nobleman, converted by looking at a picture. His faults and his virtues stood out in glaring relief. His very appearance told the dual tale. As he strolled the streets of Berlin or London, the wayfarers instinctively moved to let him pass, and all men admired his noble bearing, his lofty brow, his fiery dark blue eye, and his firm set lips; and yet, on the other hand, they could not fail to notice that he was untidy in his dress, that he strode on, gazing at the stars, and that often, in his absent-mindedness, he stumbled and staggered in his gait. In his portraits we can read the same double story. In some the prevailing tone is dignity; in others there is the faint suggestion of a smirk. His faults were those often found in men of genius. He was nearly always in a hurry, and was never in time for dinner. He was unsystematic in his habits, and incompetent in money matters. He was rather imperious in disposition, and sometimes overbearing in his conduct. He was impatient