A History of the Nineteenth Century, Year by Year. Volume 2 (of 3)Emerson, Edwin
History
A History of the Nineteenth Century, Year by Year. Volume 2 (of 3)
Emerson, Edwin
History, Modern -- 19th century
Maria Felicita Malibran, the great contralto singer of the early part of
the Nineteenth Century, died on September 23, at Manchester, in her
twenty-eighth year. Taken from Paris to Naples at the age of three, she
made her first appearance as a public singer in her fifth year. Two years
later she studied solfeggio with Panseron. At the age of sixteen she made
her debut as Rosina in "Barbiere di Seville" at London. The success of her
first appearance was so great that she was at once engaged for the season.
Next she appeared in New York, where she was a popular favorite for two
years, singing in Mozart's "Don Giovanni," in "Tancred," "Romeo and
Juliet," and two of her father's operas. Here she married a French
merchant, Malibran. After her separation from him she returned to Paris,
where she was engaged as prima donna at a salary of 50,000 francs.
Thereafter she sang at every season in Paris, London, Milan, Rome and
Naples. For one engagement of forty nights in Naples she received 100,000
francs. Both as a singer and woman she exercised an extraordinary
fascination over her contemporaries. Only a few months before her death she
married the violinist De Beriot. In England she suffered a severe fall
from her horse, which shattered her health. After this she literally sang
herself to death. Her loss was mourned most of all in France, where her
death has been commemorated by Alfred de Musset's beautiful threnody ending
with the lines:
Die, then. Thy death is sweet, thy goal is won;
What is called genius by men here below
Is the great cry for Love; all else is but show;
And since, soon or late, human love is undone,
It is for great hearts and great voices like thine
To die as thou didst--for Love all-divine.
[Sidenote: Meyerbeer's "Huguenots"]
[Sidenote: Gounod]
[Sidenote: Chopin]
[Sidenote: Liszt]
[Sidenote: Georges Sand]
[Sidenote: Death of Ampere]
In France, great strides had been made in music, art and literature.
Giacomo Meyerbeer, whose real name was Jacob Beer, surpassed the success of
his "Robert le Diable" with his greatest opera "Les Huguenots," produced on
February 20, at the Paris Opera House. The success of this masterpiece so
disheartened Rossini that he resolved to write no more operas, and withdrew
to Bologna. Charles Francois Gounod, on the other hand, now began his
musical career by entering the Paris Conservatory. Frederick Chopin, the
Polish composer, at this time was at the height of his vogue as the most
_recherche_ pianist of Paris. He was the favorite of a circle of friends
consisting of Meyerbeer, Bellini, Berlioz, Liszt, Balzac, and Heine. It was
during this year that Liszt introduced Chopin to Madame Dudevant, better
known as Georges Sand, the famous French novelist. Their attachment was the
talk of Paris. Andre Marie Ampere, the noted French mathematician and
physicist, died during this year at sixty-one years of age. He was the
inventor of the electrical unit of measure which bears his name.
Public-domain text, read in full here on John Shaqi.
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