By the death of Prosper Marilhat, a young artist of great promise was lost to France. But a few years before, Marilhat sent no less than eight masterpieces to the Salon, but they were received so coldly that the young artist fell into a state from which death was a happy deliverance. Theophile Gautier wrote of him, "That exhibition was Marilhat's swan song, and the works he sent were eight diamonds." After Marilhat's death, some of his unfinished paintings commanded great prices. Thus his "Entrance to Jerusalem," at the Wertheimer sale at Paris in 1861, fetched 16,000 francs. Fifteen years later, at the Oppenheim sale in Paris, Marilhat's "Ruins Near Cairo" brought no less than 29,000 francs. It was as a painter of Oriental subjects that Marilhat won his most lasting distinction. Having travelled to the East with Baron Hugel, he remained for many years in Egypt, painted portraits of the Khedive and decorated several of the buildings of Alexandria. In an obituary article published in the "Revue des Deux Mondes," Theophile Gautier wrote: "Marilhat was a Syrian Arab. He must have had in his veins some blood of the Saracens whom Charles Martel did not kill.... One of the glories of Marilhat was that he preserved his originality in presence of Decamps. The talents of these two men are parallel lines, it is true, but they do not touch each other. The more fruitful fancy of the one is balanced by the character in the works of the other." [Sidenote: Death of Oudinot] [Sidenote: Death of Grouchy] [Sidenote: Death of Marie Louise] [Sidenote: Merimee and Dumas]