[Sidenote: "Die Wacht am Rhein"] [Sidenote: Froebel] In Germany, arts and literature flourished in the same degree. King Louis I. of Bavaria, upon his accession to the throne, gathered about him in Munich some of the foremost artists and writers of Germany. The capital of Munich was embellished with public monuments; public buildings were decorated with fresco paintings, and art galleries were established. The University of Bavaria was transferred from Landshut to Munich, and other institutions of learning were erected by its side. Streets were widened, new avenues and public squares laid out, and public lighting introduced throughout the city. Within a short time the quasi-medieval town of Munich was changed into a modern metropolis and became the Mecca of German art. Among the artists who gathered round Louis of Bavaria were Moritz von Schwind, Cornelius, Hess, Raupp, and the elder Piloti. Among the writers who drew upon themselves the notice of this liberal king were the Count of Platen, who during this year published his "Ghazels" and the comedy "The Fatal Fork"; and Hauff, who brought out his romantic masterpiece, "Lichtenstein." Of the rising writers, Heinrich Heine alone withstood the blandishments of Louis with verses of biting satire. Little noticed at the time was the appearance of Reichardt's "Wacht am Rhein," a song which was destined to become the battle hymn of Germany. Scant attention, likewise, was given to Froebel's epoch-making work, "The Education of Man." On the other hand much pother was made over some curious exchanges of sovereignty, characteristic of German politics in those days. The Dukes of Saxe-Coburg-Gotha-Meiningen exchanged their respective possessions. Saalfeld Meiningen received Gotha. Altenburg was assigned to Saxe-Hilburghausen, which latter principality in turn was relinquished to Meiningen. The settlements of the succession in those petty principalities called forth volumes of legal lore. Jens Baggesen, the most prolific Danish humorist, died this year, seventy-two years of age. After his death Baggesen's writings declined in popularity. [Sidenote: American semi-centennial] [Sidenote: Death of Jefferson and Adams] [Sidenote: "The Father of Democracy"]