A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
At what date these famous Greek types came into the possession of the
{141} Oxford University Press it is impossible to determine. It was
probably not till after some years of rough usage following Sir Henry
Savile’s death; as Evelyn,[238] in one of his letters, after lamenting
the loss of Sir Simon Fanshaw’s medals, says that “they were after
his decease thrown about the house for children to play at counter
with, as were those elegant types of Sir Henry Savill’s at Eton, which
that learned knight procured with great cost for his edition of _St.
Chrysostom_.”
The types, of which we give a specimen (No. 28), were of a Great
Primer body, very elegantly and regularly cut, with the usual numerous
ligatures and abbreviations which characterised the Greek typography of
that period.
During the early part of the seventeenth century the Oxford Greek types
do not appear to have been extensively used; and in 1632 we find it
recorded that Lord Pembroke, the then Chancellor of the University
of Cambridge,[239] applied for and obtained the loan of one of these
founts for the purpose of printing the _Greek Testament_,[240] which
was issued in that year by Buck, the University printer, and which,
says Beloe,[241] “has ever {142} been admired for the perspicuity of
its types as well as for the accuracy of its typography.”
The reason urged for this loan was, that the Oxford press made no
use of the Greek type itself. This reproach was, however, shortly
afterwards removed by the bounty and interest of Archbishop Laud, whose
generous encouragement of printing at Oxford must always entitle him to
an honourable mention in any record of the history of the art.
Laud, at that time Bishop of London, was appointed Chancellor of the
University in 1630, and in the same year projected, among other acts of
bounty, two important measures for the advancement of printing at that
Academy. These were:―
“To procure a large Charter for Oxford, to confirm their Ancient
Privileges, and obtain new for them, as large as those of
Cambridge, which they had got since Henry the 8th and Oxford had
not.
“To set up a Greek press in London and Oxford, for printing the
Library-Manuscripts, and to get both Letters and Matrices.”[242]
The former of these projects was carried out in 1632, when Charles
I granted a charter to Oxford, giving her equal privileges with the
sister University, authorising her to employ three printers, and
securing to her a right for a certain term over all books issued. In
forwarding this charter to the University, Laud mentioned by name two
of the printers—King and Motteshead, but urged Convocation as yet to
nominate no one as the third, in order, he said, “that you may get an
able man, if it be possible, for the printing of Greek when you shall
be ready for it.”[243]
This is clearly an allusion to the Bishop’s other project, which,
however, was only partially fulfilled during his lifetime.
Public-domain text, read in full here on John Shaqi.
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