A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
On Wednesday I went again but could not find the man at
home. He was gone for the other sets. So I tarried till yesterday
and went again and received 3 of the 8 sets. The rest are not to
be had yet, the man being not returned, only his wife who gave him
those three sets. So there are wanting but five sets more which
are all Greeks but one. I took ’em, molds and all, and packed them
up in a box and sent ’em by an Amsterdam scayte appointed to carry
goods for Rotterdam. This I did, fearing the _Catherine_ yacht
might sail if I tarried for the rest. At 8 o’clock last night I
took scayte for Tergoes, and arrived there this morning. From
thence I came hither by waggon and arrived here before 9.”
The next letter, dated Rotterdam, 27th July 1710, describes his
purchase more in detail, and gives particulars as to the Dutch
foundries visited.
“You are desirous to know whether the matrices I have bought excel
those which are in the hands of the Letter Founders in England.
The beauty of letter like that of faces is as people opine; but
notwithstanding I had no choice, all the Romans excel what we
have in England in my opinion, and I hope being well wrought, I
mean cast, will gain the approbation of very handsome letters.
The Italic I do not look upon to be unhandsome, though the Dutch
are never very extraordinary in those. An account of the names
that I think I shall give the sets I have bought is as follows:
The largest size I shall distinguish by the name of _Four-line
Pica_, the next by that of _French Canon_, the next by that of
_Two-line Pica_; these three consist of Capitals only. The fourth
size is a small _Canon Italic_, the fifth a _Two-line English_
Roman and Italic, the sixth _Great Primer_ Roman, of which I
have two sets, a great face and a small one, with one Italic to
them both. The seventh size is an _English_ Roman and Italic;
the eighth a _Pica_, of which I have three sets Roman, and one
Italic; the ninth a _Small Pica_ Roman and Italic, the tenth
_Long Primer_, three sets Roman and one Italic, the eleventh,
_Brevier_ Roman and Italic. Besides these I have one set of _Great
Primer Greek_, one of _English Greek_, one of _Pica Greek_, one
of _Brevier Greek_, as also one set of _Pica Black_ and one of
_Brevier Black_ together with matrices of divers sorts of flowers
useful as ornaments in printing. To which I have 15 molds. All the
sizes except the three first have Capitals, small letters, double
letters, figures and points, as also all the accents, amounting
in the whole to the number of about 3500 matrices. As for sets of
Nonpareil and Pearl, I am informed nobody in {215} this country
has any but the Jew whose name is Athias.[405] Him I was with
first of all, who assured me he would part with none of any size
Public-domain text, read in full here on John Shaqi.
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