A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
At John James’s death his foundry passed by purchase[421] into the
hands of Mr. Rowe Mores,[422] a learned and eccentric antiquary and
scholar, who had devoted himself, among other matters, to the study of
typographical antiquities, a pursuit in which he received no little
stimulus from the possession of a collection of punches and matrices,
some of which were supposed to be as old as the days of Wynkyn de Worde.
Whether any motive besides a pure antiquarian zeal prompted the
purchase, or whether he held the collection in the capacity of trustee,
is not known, but it {223} seems probable he had been intimately
acquainted with the foundry and its contents for some time before
James’s death. He speaks emphatically of it as “our” foundry, and his
disposition of its contents for sale is made with the authority of an
absolute proprietor. It does not appear, however, that during the six
years of his possession any steps were taken to extend or even continue
the old business, which we may assume to have died with its late owner.
Mr. Mores found himself the owner of a vast confused mass of matrices,
many of them unjustified, and others imperfect, which to an ordinary
observer might have been summarily condemned as rubbish, but which
he, with an enthusiasm quite remarkable, set himself to catalogue and
arrange in order, considering himself amply repaid for his pains by the
discovery of a few veritable relics of Wynkyn de Worde and other old
English printers.
The result of his labours he minutely relates in his
_Dissertation_,[423] a work written, as he himself says, “to preserve
the memory of this Foundry, the most ancient in the kingdom, and which
may now be dispersed,” and intended as an introduction to the completed
specimen of its contents. Despite its eccentric style and crabbed
diction, the work, by virtue of its learning and acuteness, will always
remain one of the most interesting contributions to the history of
English typography.
The condition of the foundry will be best described in its author’s own
words.
After giving a list of matrices lost,[424] and quoting a catalogue
of the matrices of the learned languages in the foundry in 1767,
written by James himself (which varies considerably from the Catalogue
presented at the sale, to be given later on), he observes:
“The specimen will show that several of the matrices are unjustified.
This being but an accidental circumstance, does not in the least
affect the goodness of the type, though it affects its appearance in
_the casting_. The matrices were amassed at all events to augment the
collection, and the operation of the file was suspended till a call for
the type should make it necessary. So this defect is no more than a
proof that the matrices have not been impaired by use.
Public-domain text, read in full here on John Shaqi.
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