A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
“We have inserted specimens of several matrices which the great
improvements made in the art of letter-cutting have rendered altogether
useless in typography; but these specimens will be found of critical
use to an antiquary, for whose sake we have inserted them, regardless
of the charge that we deform our Specimen, or of another more material
accusation, that by multiplying particulars we endeavour to enhance the
value of our foundery. The latter we can easily refute; for the sets
we speak of, besides the rudeness of the workmanship, are imperfect,
and consequently unsaleable, and will probably be taken {225} from the
foundery before it is disposed of to prevent the trouble of a future
garbling,[425] and this consideration must extend to those objections
which may be made against things cast in haste without justification,
for the purpose only of shewing the faces.
“Hitherto we have spoken only of Matrices. The punches, though in order
they are first, must come last; and of them we have but little to say;
for these having performed their office by formation of the matrice are
generally like other useful instruments which have discharged their
duty, neglected, discarded and thrown away.
“The entire _loss_, the _waste_ and the _rubbish_ in our foundery in
this article are great. The _waste_ and _rubbish_ are in weight about
120 lbs., and were we to put down _tale_ instead of _weight_ (the
pusils which seem to make the greater part of this quantity not much
exceeding in largeness the little end of a poinctrel) the number would
be very great. But covetous of preserving the remembrance of everything
which in Mr. James’ Foundery was curious or uncommon, we have
re-scrutinized these, and have left behind us nothing but the Roman and
Italic in which is nothing either curious or uncommon.
“The same likewise have we done to the matrices, the waste of which now
remaining and disposed of in order is in number about 2,600,[426] the
rubbish in weight about 1/2 cwt.
“A work of some trouble but _virtù_ hath been gratified amongst the
rubbish of punches by some originals of Wynkyn de Worde, some punches
of the 2-line Great Primer English.[427] They are truly _vetustate
formâque et squalore venerabiles_, and we would not give a lower-case
letter in exchange for all the leaden cups of Haerlem.”[428]
[Illustration: 56. From the original in the Library of the London
Institution.]
Mr. Mores, unfortunately, did not live to see the publication of
his {227} _Dissertation_, or to complete the Specimen which was to
accompany it. He died in 1778, and four years elapsed before the
foundry was put up to auction, and the catalogue with its specimen
attached finally appeared.
Public-domain text, read in full here on John Shaqi.
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