A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Another contemporary record of equal interest, which seems, moreover,
to allude to one or more of the three missing Specimens above
mentioned, is contained in a little essay on the _Original, Use, and
Excellency of Printing_, published in 1752[480]; in which the anonymous
writer, after dealing with the invention, remarks: “Altho’ the chief
honour is due to the Inventor, yet the perfection and beauty that
Printing is now arrived at is very much owing to them that came after.
Many in the present age have not a little contributed thereto. Among
whom I cannot but particularly mention Mr. William Caslon and his
Son, Letter Founders in Chiswell Street, who have very much by their
indefatigable labours promoted the honour of this Art, and who have
lately printed three broadsheet specimens of their curious types; one
of them consisting of all the common sorts of letter used in printing;
the second sheet is {243} divers sorts of their Orientals, Old-English,
and Saxon; and the third contains a great variety of curious Flowers
and Fancies for Ornamenting of Title Pages, Tickets, &c., also several
sorts of Titling letter of Roman, Old-English and Greek; and the whole,
for their master strokes and curious flourishes, outdo all that have
been cast in England, Holland or any other place before.”
The above is one of many compliments paid to Caslon at this period by
his contemporaries. Smith, in his _Printer’s Grammar_ in 1755, goes
out of his way more than once to commend the founder by whose genius
“letter is now in England of such a beautiful cut and shape as it
never was before.” Baskerville, in a passage quoted elsewhere,[481]
frankly acknowledges him as the greatest master of the art. Ames and
Chambers, as has been noticed, vie with one another in proclaiming his
pre-eminence; Mores himself styles him the Coryphæus of modern letter
founders, and Lemoine awards him the title of the English Elzevir.
In 1750 Mr. Caslon’s reputation was such that his Majesty George II.
placed him on the Commission of the Peace for Middlesex, which office
he sustained with honour to himself and advantage to the community till
the time of his death.
Public-domain text, read in full here on John Shaqi.
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