A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
The esteem in which she was held by all who knew her was amply
testified by numerous notices in the public prints of the day. “Her
merit and abilities,” says one, “in conducting a capital business
during the life of her husband and afterwards, till her son was capable
of managing it, can only be known to those who had dealings with the
manufactory. In quickness of understanding and activity of execution
she has left few equals among her sex.” And, in the same strain, the
_Freemason’s Magazine_ of March 1796, thus speaks of her: “The urbanity
of her manners, and her diligence and activity in the conduct of so
extensive a concern, attached to her interest all who had dealings with
her, and the steadiness of her friendship rendered her death highly
lamented by all who had the happiness of being in the extensive circle
of her acquaintance.” The latter notice is accompanied by a portrait of
this worthy lady.
Mrs. Caslon’s will becoming the object of some litigation, her estate
was thrown into Chancery, and in March 1799, the Foundry was, by order
of the Court, put up for auction and purchased by Mrs. Henry Caslon for
£520. The smallness of this figure is the more remarkable since only
seven years previously, on the retirement of Caslon III., a third share
of the concern had sold for £3000.
“On the decease of Mrs. Caslon,” writes Hansard, in 1825, “the
management of the Foundry devolved on Mrs. Henry Caslon, who,
possessing an excellent understanding, and being seconded by servants
of zeal and ability, was enabled, though suffering severely under
ill-health, in a great measure to retrieve its credit. Finding the
renown of William Caslon no longer efficacious in securing the sale
of his types, she resolved to have new founts cut. She commenced the
work of renovation with a new Canon, Double Pica and Pica, having the
good fortune to secure the services of Mr. John Isaac Drury, a very
able engraver, since deceased. The Pica, an improvement on the style of
Bodoni,[509] was particularly admired, and had a most extensive sale.
Finding {252} herself, however, from the impaired state of her health,
which suffered from pulmonary attacks, unable to sustain the exertions
required in conducting so extensive a concern, she resolved, after the
purchase of the Foundry, to take as an active partner Mr. Nathaniel
Catherwood, (a distant relation), who by his energy and knowledge of
business fully equalled her expectations. This connection gave a new
impetus to the improvements of the Foundry, which did not cease during
the lives of the partners, and their exertions were duly appreciated
and encouraged by the printers. In 1808 the character of the Foundry
may be considered as completely retrieved, but the proprietors did not
long live to enjoy their well-merited success. In 1799, Mrs. Henry
Caslon had married Mr. Strong, a medical gentleman, who died in 1802.
In the spring of 1808 she was afflicted with a serious renewal of her
Public-domain text, read in full here on John Shaqi.
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