A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Of Baskerville’s personal character, a biographer observes: “In
private life, he was a humourist, idle in the extreme; but his
invention was the true Birmingham model, active. He could well design,
but procured others to execute; wherever he found merit, he caressed
it; he was remarkably polite to the stranger, fond of shew; a figure,
rather of the smaller size, and delighted to adorn that figure with
gold lace. Although constructed with the light timbers of a frigate,
his movement was stately as a ship of the line. During the twenty-five
last years of his life, though then in his decline, he retained the
singular traces of a handsome man. If he exhibited a peevish temper,
we may consider that good nature and intense thinking are not always
found together. Taste accompanied him through the different walks of
agriculture, architecture, and the fine arts. Whatever passed through
his fingers bore the living marks of John Baskerville.”[575]
A less pleasing sketch of his character is given by Mark Noble in his
_Biographical History of England_:—“I have very often”, he says, “been
with my father at his house, and found him ever a most profane wretch,
and ignorant of literature to a wonderful degree. I have seen many of
his letters, which like his will, were not written grammatically, nor
could he even spell well. In person he was a shrivelled old coxcomb.
His favourite dress was green, edged with narrow gold lace, a scarlet
waistcoat, with a very broad gold lace, and a small round hat, likewise
edged with gold lace. His wife was all that affectation can describe.
. . . She was originally a servant. Such a pair are rarely met with.
He had wit; but it was always at the expense of religion and decency,
particularly if in company with the clergy. I have often thought there
was much similarity in his person to Voltaire, whose sentiments he was
ever retailing.”[576]
Professing a total disbelief of the Christian religion, he ordered that
his remains should be buried in a tomb in his own grounds, prepared by
himself for the purpose, with an epitaph[577] expressing his contempt
for the superstition which {283} the bigoted called Religion. Here,
accordingly, his body was buried upright, and here it remained,
although the building that contained it was destroyed by the Birmingham
riots of 1791. About half a century after his death his body was
exhumed and exhibited for some time in a shop in Birmingham. Its final
resting-place is to this day a matter of debate.
There is a portrait of Baskerville by Exteth, in the possession
of the Messrs. Longman, and another in the possession of the Rev.
Dr. Caldecott. An engraving of the latter is given in Hansard’s
_Typographia_; and there is a copperplate from the same portrait
(unpublished), at the present time in the collection of Mr. Timmins of
Birmingham.
Public-domain text, read in full here on John Shaqi.
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