A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
As we are concerned with Caxton only in his capacity as letter-founder,
we must refer the reader for all details respecting his life and
literary industry to Mr. Blades’ admirable biography; merely stating
here that he made his first essay at printing in the year 1474–5, in
the office of Colard Mansion at Bruges; that in 1477, if not earlier,
he settled as printer at Westminster, where he remained an industrious
and prolific worker until the year of his death in 1491.
As we have already observed, the history of the introduction of
printing into England differs from that of its origin in most other
countries in this important particular, that whereas in Germany,
Italy, France and the Low Countries letter-founding is supposed to
have preceded printing, in our own country it followed it. Caxton had
already run through one fount of type before he reached this country,
and it appears to be quite certain that his Type No. 2, with which he
established his press at Westminster, was brought over by him from
Bruges, where it had been cast for him, and already made use of by
his preceptor, Colard Mansion. The English origin of his Type No. 3
is also open to question. There seems, however, reasonable ground for
supposing that Type No. 4 was both cut and cast in England; so that
Caxton had probably been at work for a year or two in this country
as a printer, before he became a letter-founder. It must be admitted
that any conclusion we may come to as to {85} Caxton’s operations as
a letter-founder are wholly conjectural. In none of his own works (in
several of which he discourses freely on his labour as a translator
and a printer) does he make the slightest allusion to the casting of
his types, nor does there remain any relic or contemporary record
calculated to throw light on so interesting a topic.
That Caxton made use of cast types, it is hardly needful here to
assert. Even admitting the possibility of a middle stage between
Xylography and Typography, the general identity of his letters, the
constant recurrence of certain flaws among his types, and the solidity
of his pages, may be taken as sufficient evidence that his types were
cast, and not separately engraved by hand.
It is scarcely likely that during his residence at Bruges, where, as he
himself states in the prologue to the third book of the _Recuyell_, “I
have practysed and lerned at my grete charge and dispense to ordeyne
this said book in prynte,” he would omit to make himself acquainted
with the methods used in the Low Countries for the production and
multiplication of types; and it is at least reasonable to suppose
that, once established in this country, and removed from the source
of his former supplies, he would put into practice this branch of his
knowledge, and produce for himself the remaining founts of which he
made use.
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