A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
TYPE 3.—This handsome fount appears to have been used from about 1479
to 1483, chiefly for head-lines, although one or two small church
books, as well as Caxton’s _Advertisement_, were printed entirely in
it. The body is the same as that of Type 2, with which it is sometimes
used, to distinguish proper names. The fount consists of 194 sorts, of
which the points are remarkable as being smaller than those of Type
2. It is the first appearance of the “Lettre de Forme” in English
typography; although, as Mr. Blades has pointed out, this character
belongs only to the “lower-case” letters, the capitals partaking more
of the features of Mansion’s “Gros Bâtarde”. The fount possesses a
special interest in being the first letter put forward as an English
printer’s Type-specimen. In the _Advertisement_, which we reproduce
in facsimile (No. 15), Caxton calls attention to the fact that he is
prepared to sell cheap copies of the Pica or Ordinary of the Salisbury
service, printed in the same type as the specimen shown, to anyone,
spiritual or temporal, who may come to his shop at the Red Pale,
Westminster. There is nothing to show whether this fount was brought
by Caxton from Bruges, or whether it is entitled to the distinction of
being the first fount wholly cut and cast in this country. The German
cut of the “lower-case,” as well as the slight use which Caxton made
of it, would almost suggest that it was not the product of his own
genius. On the other hand, the frequent use which De Worde made of the
fount after his master’s death, seems to point to the existence of the
matrices, as well as the types, in this country.
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