This determination to undertake no work for which he was not supremely fitted, together with his powers of application and acquisition, gave Erasmus the reputation of being a strong man. He was seen to be unlike any other Humanist, whether Italian or German. He had no desire merely to reproduce the antique, or to confine himself within the narrow circle in which the “Poets” of the Renaissance worked. He put ancient culture to modern uses. Erasmus was no arm-chair student. He was one of the keenest observers of everything human—the Lucian or the Voltaire of the sixteenth century. From under his half-closed eyelids his quick glance seized and retained the salient characteristics of all sorts and conditions of men and women. He described theologians, jurists and philosophers, monks and parish priests, merchants and soldiers, husbands and wives, women good and bad, dancers and diners, pilgrims, pardon-sellers, and keepers of relics; the peasant in the field, the artisan in the workshop, and the vagrant on the highway. He had studied all, and could describe them with a few deft phrases, as incisive as Dürer’s strokes, with an almost perfect style, and with easy sarcasm. This application of the New Learning to portray the common life, combined with his profound learning, made Erasmus the idol of the young German Humanists. They said that he was more than mortal, that his judgment was infallible, and that his work was perfect. They made pilgrimages to visit him. An interview was an event to be talked about for years; a letter, a precious treasure to be bequeathed as an heirloom. Some men refused to render the universal homage accorded by scholars and statesmen, by princes lay and clerical. Luther scented Pelagian theology in his annotations; he scorned Erasmus’ wilful playing with truth; he said that the great Humanist was a mocker who poured ridicule upon everything, even on Christ and religion. There was some ground for the charge. His sarcasm was not confined to his _Praise of Folly_ or to his _Colloquies_. It appears in almost everything that he wrote—even in his Paraphrases of the New Testament. That such a man should have felt himself called upon to be a reformer, that this Saul should have appeared among the prophets, is in itself testimony that he lived during a great religious crisis, and that the religious question was the most important one in his days. The principal literary works of Erasmus meant to serve the reformation he desired to see are:—two small books, _Enchiridion militis christiani_ (_A Handbook of the Christian Soldier_, or _A Pocket Dagger for the Christian Soldier_—it may be translated either way), first printed in 1503, and _Institutio Principis Christiani_ (1518); his _Encomium Moriæ_ (_Praise of Folly_, 1511); his edition of the _New Testament_, or _Novum Instrumentum_ (1516), with prefaces and paraphrases; and perhaps many of the dialogues in his _Colloquia_ (1519).