Similar university circles were formed elsewhere: at Basel, where Heinrich
Loriti from Glarus (Glareanus), and afterwards Erasmus, were the
attractions; at Tübingen, where Heinrich Bebel, author of the _Facetiæ_,
encouraged his younger friends to study history; and even at Köln, where
Hermann von Busch, a pupil of Deventer, and Ortuin Gratius, afterwards the
butt of the authors of the _Epistolæ obscurorum virorum_, were looked upon
as leaders full of the New Learning.
As in Italy Popes and cardinals patronised the leaders of the Renaissance,
so in Germany the Emperor and some princes gave their protection to
Humanism. To German scholars, who were at the head of the new movement,
Maximilian seemed to be an ideal ruler. His coffers no doubt were almost
always empty, and he had not lucrative posts at his command to bestow upon
them; the position of court poet given to Conrad Celtes and afterwards to
Ulrich von Hutten brought little except coronation in presence of the
imperial court with a tastefully woven laurel crown;(40) but the character
of Maximilian attracted peasantry and scholars alike. His romanticism, his
abiding youthfulness, his amazing intellectual versatility, his
knight-errantry, and his sympathy fascinated them. Maximilian lives in the
folk-song of Germany as no other ruler does. The scheme of education sung
in the _Weisskunig_, and illustrated by Hans Burgmaier, entitled him to
the name “the Humanist Emperor.”
§ 9. Reuchlin.
The German Humanists, whether belonging to the learned societies of the
cities or to the groups in the Universities, were too full of
individuality to present the appearance of a body of men leagued together
under the impulse of a common aim. The Erfurt band of scholars was called
“the Mutianic Host”; but the partisans of the New Learning could scarcely
be said to form a solid phalanx. Something served, however, to bring them
all together. This was the persecution of Reuchlin.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account