A History of Witchcraft in England from 1558 to 1718Notestein, Wallace
History
A History of Witchcraft in England from 1558 to 1718
Notestein, Wallace
Witchcraft -- England -- History
If one were to include all the references to witchcraft in the drama of
the period, this discussion might widen out into a long chapter. Over
the passages in the playwrights we must pass with haste; but certain
points must be noted. Shakespeare, in _Macbeth_, which scholars have
usually placed at about 1606, used a great body of witch lore. He used
it, too, with apparent good faith, though to conclude therefrom that he
believed in it himself would be a most dangerous step.[51] Thomas
Middleton, whose _Witch_ probably was written somewhat later, and who is
thought to have drawn on Shakespeare for some of his witch material,
gives absolutely no indication in that play that he did not credit those
tales of witch performances of which he availed himself. The same may be
said of Dekker and of those who collaborated with him in writing _The
Witch of Edmonton_.[52]
We may go further and say that in none of these three plays is there any
hint that there were disbelievers. But when we come to Ben Jonson we
have a different story. His various plays we cannot here take up.
Suffice it to say, on the authority of careful commentators, that he
openly or covertly ridiculed all the supposedly supernatural phenomena
of his time.[53] Perhaps a search through the obscurer dramatists of the
period might reveal other evidences of skepticism. Such a search we
cannot make. It must, however, be pointed out that Thomas Heywood, in
_The late Lancashire Witches_[54] a play which is described at some
length in an earlier chapter, makes a character say:[55] "It seemes then
you are of opinion that there are witches. For mine own part I can
hardly be induc'd to think there is any such kinde of people."[56] The
speech is the more notable because Heywood's own belief in witchcraft,
as has been observed in another connection, seems beyond doubt.
The interest in witchcraft among literary men was not confined to the
dramatists. Three prose writers eminent in their time dealt with the
question. Burton, in his _Anatomy of Melancholy_[57] admits that "many
deny witches at all, or, if there be any, they can do no harm." But he
says that on the other side are grouped most "Lawyers, Divines,
Physitians, Philosophers." James Howell, famous letter-writer of the
mid-century, had a similar reverence for authority: "I say ... that he
who denies there are such busy Spirits and such poor passive Creatures
upon whom they work, which commonly are call'd Witches ... shews that he
himself hath a Spirit of Contradiction in him."[58] There are, he says,
laws against witches, laws by Parliament and laws in the Holy Codex.
Public-domain text, read in full here on John Shaqi.
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