By such means he was truly, as Ruskin says, “a reformer”--Ruskin adds, “as stout as Holbein, or Botticelli, or Luther, or Savonarola,” and this is also true within limits. But if in relation to his art, and in answer to the tests required of him, his reforming spirit proved itself vigorous, independent, persistent in conviction, and faithful in practice, his natural endowment in other ways was so far inferior to those of the great Reformers named as to place him in a different order of men. He had not a spark of the philosophic spirit of Holbein, and but a faint glimmer of Holbein’s dramatic insight. He was not endowed with the romantic imagination, the deep reflective power, the broad intellectual and moral sympathy of Dürer. There is no need to magnify his genius, for it was great and valuable by its own right. He was, primarily, an observer of nature, and he copied natural facts with straightforward veracity; he delineated animal life with marvellous spirit; he knew the value of the texture of a bird’s feather (Fig. 61) as no one before ever realized it. He was open also to the influence which nature exerts over the emotions, and he rendered the sentiment of the landscape as few engravers have been able to do. His hearty spirit responded to country sights (Fig. 62), and he portrayed the humorous with zest and pleasure, as well as the cheerful and the melancholy with truth and feeling; his humor is sometimes indelicate, but it is faithful; usually it is the humor of a situation which strikes him, seldom the higher humor which appears in such cuts as the superstitious dog. He is open to pathos, too, but here it is not the higher order of pathos far-reaching into the bases of life and emotion--in this cut (Fig. 64), for example, one fancies his heart is nearly altogether with the uncared-for animal, and takes not much thought of the deserted hearth. With this veracity, sensitiveness, heartiness, there is also an unbending virtue--a little like preaching sometimes, with its gallows in the background--but sturdy and homely; not rising into any eloquent homily, but with indignation for the boys drowning a cat or the man beating his overdriven horse.