A History of Wood-EngravingWoodberry, George Edward
History
A History of Wood-Engraving
Woodberry, George Edward
Wood-engraving; Wood-engraving -- Bibliography
its better portion by a hardness and stiffness of line, a lack of
variety and gradation in tone and tint, and a defect in vivacity and
finish. There are here and there exceptional cuts to which these
strictures would not apply, but the body of the work is vitiated either
through an incomplete control of his materials by the engraver, or
through an evil imitation of copperplate-drawing by the designer. Where
the engraver was also the designer the work is usually of higher value.
[Illustration: FIG. 77.--Butterflies. Engraved by F. S. King.]
With the second half of the century began that expansion of the press,
that increase in the volume and improvement in the quality of the
reading provided for the public through newspapers and magazines, which
has been one of the most striking and important results of democratic
institutions. The Harpers’ Monthly Magazine was established in 1850, and
it was followed within a decade by several illustrated periodicals;
during the civil war there was naturally a slackening in this
development, but, upon its close, numerous new illustrated weekly or
monthly publications began their longer or shorter career, among them
those issued by the Scribners, which were to have so important a bearing
on the history of wood-engraving. The art naturally received a great
impetus from this demand upon its resources; it rapidly advanced; and
being encouraged farther by the popularity of the new and beautifully
illustrated gift-books of the Boston and New York publishers, it has
taken the leading place in the artistic interests of the country.
[Illustration: FIG. 78.--Engraved by F. S. King.]
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