WEIGEL (RUDOLPH). Holzschnitte berühmter Meister in treuen Copien. Leipzig, 1851-’54. Folio. WEIGEL (T. O.) and ZESTERMANN (A. C. A.). Die Anfänge der Drucker-Kunst in Bild und Schrift. Leipzig, 1866. 2 Bände. Folio. WILLSHIRE (W. H.). An Introduction to the Study and Collection of ancient Prints. 2d ed. London, 1877. 2 vols. 8vo. WOLTMANN (ALFRED). Holbein und seine Zeit. Leipzig. 1866-’68. 2 Th. 8vo. WORNUM (R. N.). Some Account of the Life and Works of Holbein. London, 1867. 8vo. ZANI (P.). Materiali per servire alla Storia dell’Origine e de’ Progressi dell’Incisione in Rame e in Legno, etc. Parma, 1802. 8vo. ZORN (PETER). Historia Bibliorum pictorum. Lipsiæ, 1743. 4to. INDEX. Adams, Joseph Alexander, 173. Altdorfer, Albrecht, 111. America: earlier history and characteristics of the art, 171-177; present position and influence, 177, 178; works in imitation of other arts, 185; errors in practice 190, 202; future of the art, 202-206. Amman, Jobst, 114. Anderson, Alexander, 172. Andreani, Andrea, 146. Anthony, A. V. S., 176. Ars Memorandi, 43. Ars Moriendi, 43. Augsburg: prints, 26; playing-cards, 27; Bible, 52; press, 46, 57. Baldung, Hans, 110. Bamberg: press, 56. Basle: characteristics of the city in Holbein’s time, 117. Behaim, Hans Sebald, 112-114. Bernard, St.: his rebuke of art, 14. Best, Adolphe, 169. Bewick, Thomas: the father of modern wood-engraving, 151; sketch of his life, 154; reforms effected by him, 154; character of his genius, 154-160; his works, 161; influence on the art in America, 172. Bible: the Cologne, 49; the Nuremberg, 50; the Augsburg, 52; the Strasburg, 50; Coverdale’s, 132; Le Clerc’s, 139; Jean de Tournes’, 141; Harper’s, 173. Bible cuts: Behaim’s, 113; Holbein’s, 129-131; Jean Moni’s, 141. _Biblia Pauperum_: their use, 31; designs not original, 32; description, 33; place of issue, 37. Blake, William, 162. Block-printing: invention, 30, 31, 42; decline, 45. Boldrini, Nicolo, 144. Bouts, Diedrick, 39. Branston, Robert, 164, 167. Bray, Theodore de, 147. Brevière, Henri, 169. Breydenbach’s Travels, 55. Brontë, Charlotte, criticism of Bewick, 159-161. Brosamer, Hans, 114. Brothers of the Common Lot: their claim to the authorship of the block-books, 39. Brussels: print of 1418, 23. Burgkmaier, Hans: genius and works, 99-106; influence on Holbein, 117 Calcar, Jean, 146. Carpi, Ugo da, 87, 146. Caxton, William: Game and Playe of the Chesse, 63. Chiaroscuro-engraving, 87-89, 146, 148, 187-189. Christopher, St.: print of 1423, 22. Chronicles: general description, 52; the Cologne, 53; the Nuremberg, 53; the Saxon, 53. Clennell, Luke, 164, 167. Cole, T., 197, 200. Cologne: early school of art, 42, 43; Bible, 49; Chronicle, 53; press, 57. Color: in the holy prints, 26 _note_; in early German books, 52; in the _Livres d’Heures_, 60, 61; in chiaroscuro-engraving, 87.