His eyes surveyed her slowly now from head to foot. Why was she glad she
had known before it was too late? Her calmness made him uneasy,
restless. It was a familiar characteristic of Morton Bassett that he met
storm and stress stoically. He was prepared for scorn, recrimination,
tears; but this dark-eyed girl, sitting before him in her gray
walking-dress and plain hat with a bunch of scarlet flowers showing
through the veil she had caught up over them, seemed in no danger of
yielding to tears. Her voice fell in cool, even tones. He had said that
he expected her, but she did not know what manner of meeting he had been
counting on in his speculations. After a long look he passed his hand
across his face.
"I hope you haven't thought--you didn't think I should let them bring
you into it."
He spoke as though this were something due her; that she was entitled to
his reassurance that the threatened cataclysm should not drag her down
with him. When she made no reply he seemed to feel that he had not made
himself clear, and he repeated, in other terms, that she need not be
concerned for the outcome; that he meant to shield her.
"Yes; I supposed you would do that; I had expected that."
"And," he went on, as though to anticipate her, to eliminate the
necessity for her further explanations, "you have a right to ask what
you please. Or we can meet again to arrange matters. I am prepared to
satisfy your demands in the fullest sense."
His embarrassment had passed. She had sought the interview, but he had
taken charge of it. Beyond the closed door the stage waited. This was
the briefest interlude before the moment of his triumphant entrance.
Sylvia smiled, an incredulous smile, and shook her head slowly, like a
worn, tired mother whose patience is sorely taxed by a stubborn,
unyielding child at her knee. Her lips trembled, but she bent her head
for a moment and then spoke more quickly than before, as though
overriding some inner spirit that strove rebelliously within her breast.
"I know--almost all I ever need to know. But there are some things you
must tell me now. This is the first--and the last--time that I shall
ever speak to you of these things. I know enough--things I have stumbled
upon--and I have built them up until I see the horror, the blackness.
And I want to feel sure that you, too, see the pity of it all."
Her note of subdued passion roused him now to earnestness, and he framed
a disavowal of the worst she might have imagined. He could calm her
fears at once, and the lines in his face relaxed at the thought that it
was in his power to afford her this relief.
"I married your mother. There was nothing wrong about it. It was all
straight."
Public-domain text, read in full here on John Shaqi.
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