A House Divided Against Itself; vol. 2 of 3Oliphant, Mrs. (Margaret)
General
A House Divided Against Itself; vol. 2 of 3
Oliphant, Mrs. (Margaret)
Fiction
“Did you always know where we were?” she asked. Strangely enough, this
story did not give her any angry feeling towards Markham. It was so far
off, and the previous relations of her long-separated father and mother
were as a fairy tale to her, confusing and almost incredible, which she
did not take into account as matter of fact at all. Markham had
delivered these confessions slowly, as they turned and re-turned up and
down the lawn. There was not light enough for either to see the
expression in the other’s face, and the veil of the darkness added to
the softening effect. The words came out in short sentences, interrupted
by that little business of puffing at the cigarette, letting it go out,
stopping to strike a fusee and relight it, which so often forms the
byplay of an important conversation, and sometimes breaks the force of
painful revelations. Frances followed everything with an absorbed but
yet half-dreamy attention, as if the red glow of the light, the
exclamation of impatience when the cigarette was found to have gone out,
the very perfume of the fusee in the air, were part and parcel of it.
And the question she asked was almost mechanical, a part of the business
too, striking naturally from the last thing he had said as sparks flew
from the perfumed light.
“Not where,” he said. “But I might have known, had I made any attempt to
know. The mother sent her letters through the lawyer, and of course we
could have found out. It was thrust upon me at last by one of those
meddling fools that go everywhere. And then my old demon got possession
of me, and I told Con.” Here he gave a low chuckle, which seemed to
escape him in spite of himself. “I am laughing,” he said--“pay
attention, Fan--at myself. Of course I have learned to be sorry
for--some things--the imp has put me up to; but I can’t get the better
of that little demon--or of this little beggar, if you like it better.
It’s queer phraseology, I suppose; but I prefer the other form.”
“And what,” said Frances in the same dreamy way, drawn on, she was not
conscious how, by something in the air, by some current of thought which
she was not aware of--“what do you mean to do now?”
He started from her side as if she had given him a blow. “Do now?” he
cried, with something in his voice that shook off the spell of the
situation, and aroused the girl at once to the reality of things. She
had no guidance of his looks, for, as has been said, she could not see
them; but there was a curious thrill in his voice of present alarm and
consciousness, as if her innocent question struck sharply against some
fact of very different solidity and force from those far-off shadowy
facts which he had been telling her. “Do now? What makes you think I am
going to do anything at all?”
His voice fell away in a sort of quaver at the end of these words.
“I do not think it; I--I--don’t think anything, Markham; I--don’t--know
anything.”
Public-domain text, read in full here on John Shaqi.
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