Eight years had passed by. Once more the spring had come.... But we will
say a few words first of the fate of Mihalevitch, Panshin, and Madame
Lavretsky--and then take leave of them. Mihalevitch, after long
wanderings, has at last fallen in with exactly the right work for him;
he has received the position of senior superintendent of a government
school. He is very well content with his lot; his pupils adore him,
though they mimick him too. Panshin has gained great advancement in
rank, and already has a directorship in view; he walks with a slight
stoop, caused doubtless by the weight round his neck of the Vladimir
cross which has been conferred on him. The official in him has finally
gained the ascendency over the artist; his still youngish face has grown
yellow, and his hair scanty; he now neither sings nor sketches, but
applies himself in secret to literature; he has written a comedy, in
the style of a “proverb,” and as nowadays all writers have to draw a
portrait of some one or something, he has drawn in it the portrait of
a coquette, and he reads it privately to two or three ladies who look
kindly upon him. He has, however, not entered upon matrimony, though
many excellent opportunities of doing so have presented themselves. For
this Varvara Pavlovna was responsible. As for her, she lives constantly
at Paris, as in former days. Fedor Ivanitch has given her a promissory
note for a large sum, and has so secured immunity from the possibility
of her making a second sudden descent upon him. She has grown older and
stouter, but is still charming and elegant. Every one has his ideal.
Varvara Pavlovna found hers in the dramatic works of M. Dumas Fils.
She diligently frequents the theatres, when consumptive and sentimental
“dames aux camélias” are brought on the stage; to be Madame Doche seems
to her the height of human bliss; she once declared that she did not
desire a better fate for her own daughter. It is to be hoped that fate
will spare Mademoiselle Ada from such happiness; from a rosy-cheeked,
chubby child she has turned into a weak-chested, pale girl; her nerves
are already deranged. The number of Varvara Pavlovna adorers has
diminished, but she still has some; a few she will probably retain to
the end of her days. The most ardent of them in these later days is a
certain Zakurdalo-Skubrinikov, a retired guardsman, a full-bearded man
of thirty-eight, of exceptionally vigorous physique. The French habitués
of Madame Lavretsky’s salon call him “le gros taureau de l’Ukraine;”
Varvara Pavlovna never invites him to her fashionable evening reunions,
but he is in the fullest enjoyment of her favours.
Public-domain text, read in full here on John Shaqi.
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