of cards with Marfa Timofyevna, Madame Byelenitsin, and Gedeonovsky, who played very slowly, and constantly made mistakes, frowning and wiping his face with his handkerchief. Panshin assumed a melancholy air, and expressed himself in brief, pregnant, and gloomy phrases, played the part, in fact, of the unappreciated genius, but in spite of the entreaties of Madame Byelenitsin, who was very coquettish with him, he would not consent to sing his song; he felt Lavretsky’s presence a constraint. Fedor Ivanitch also spoke little; the peculiar expression of his face struck Lisa directly he came into the room; she felt at once that he had something to tell her, and though she could not herself have said why, she was afraid to question him. At last, as she was going into the next room to pour out tea, she involuntarily turned her head in his direction. He at once went after her. “What is the matter?” she said, setting the teapot on the samovar. “Why, have you noticed anything?” he asked. “You are not the same to-day as I have always seen you before.” Lavretsky bent over the table. “I wanted,” he began, “to tell you a piece of news, but now it is impossible. However, you can read what is marked with pencil in that article,” he added, handing her the paper he had brought with him. “Let me ask you to keep it a secret; I will come to-morrow morning.” Lisa was greatly bewildered. Panshin appeared in the doorway. She put the newspaper in her pocket. “Have you read Obermann, Lisaveta Mihalovna?” Panshin asked her pensively. Lisa made him a reply in passing, and went out of the room and up-stairs. Lavretsky went back to the drawing-room and drew near the card-table. Marfa Timofyevna, flinging back the ribbons of her cap and flushing with annoyance, began to complain of her partner, Gedeonovsky, who in her words, could not play a bit. “Card-playing, you see,” she said, “is not so easy as talking scandal.” The latter continued to blink and wipe his face. Lisa came into the drawing-room and sat down in a corner; Lavretsky looked at her, she looked at him, and both felt the position insufferable. He read perplexity and a kind of secret reproachfulness in her face. He could not talk to her as he would have liked to do; to remain in the same room with her, a guest among other guests, was too painful; he decided to go away. As he took leave of her, he managed to repeat that he would come to-morrow, and added that he trusted in her friendship. “Come,” she answered with the same perplexity on her face. Panshin brightened up at Lavretsky’s departure: he began to give advice to Gedeonovsky, paid ironical attentions to Madame Byelenitsin, and at last sang his song. But with Lisa he still spoke and looked as before, impressively and rather mournfully.