Gervase is profoundly troubled to find how much genuine emotion the presence of a woman whose existence he had long forgotten has power to excite in him. He does not like emotion of any kind; and in all his affairs of the heart he is accustomed to make others suffer, not himself. Vanity and wounded vanity enter so largely into the influences moulding human life, that it is very possible, if the sight of him had had power to disturb her, the renewal of association with her would have left him unmoved. But, as it is, he has been piqued, mortified, excited, ad attracted; and the admiration which Brandolin and Lawrence Hamilton and other men plainly show of her is the sharpest spur to memory and to desire. Whenever he has remembered Xenia Sabaroff, at such rare times as he has heard her name mentioned in the world, he has thought of her complacently as dwelling in the solitudes of Baltic forests, entirely devoted to his memory. Women who are entirely devoted to their memory men seldom trouble themselves to seek out; but to see her courted, sought, and desired, more handsome than ever, and apparently wholly indifferent to himself, is a shock to his self-esteem, and galvanism to his dead wishes and slumbering recollections. He begins to perceive that he would have done better not to forget her quite so quickly. Meanwhile, all the guests at Surrenden, guided by a hint from Nina Curzon, begin to see a quantity of things which do not exist, and to exert their minds in endeavoring to remember a vast deal which they never heard with regard to both himself and her. No one knows anything or has a shadow of fact to go on, but this is an insignificant detail which does not tie their tongues in the least. Nina Curzon has invention enough to supply any _lacunæ_, and in this instance her imagination is stimulated by a double jealousy: she is jealous of Lawrence Hamilton, whom she is inclined to dismiss, and she is jealous of Brandolin, whom she is inclined to appropriate. Twenty-four hours have not elapsed since the arrival of Gervase, before she has given a dozen people the intimate conviction that she knows all about him and the Princess Sabaroff, and that there is something very dreadful in it,--much worse than in the usual history of such relations. Everything is possible in Russia, she says, and has a way of saying this which suggests unfathomable abysses of license and crime. No one has the slightest idea what she means, but no one will be behind any other in conjecturing; and there rises about the unconscious figure of Xenia Sabaroff a haze of vague suggested indistinct suspicion, like the smoke of the blue fires which hide the form of the Evil One on the stage in operas. Brandolin perceives it, and is deeply irritated. "What is it to me?" he says to himself, but says so in vain.