A House-Party, Don Gesualdo, and A Rainy JuneOuida
General
A House-Party, Don Gesualdo, and A Rainy June
Ouida
English fiction
It is not new: since the arrival of Gervase the same thing has been
hinted more or less clearly, more or less obscurely, within his hearing
more than once; but the matter-of-fact words of Litroff have given the
tale a kind of circumstantiality and substance which the vague uncertain
suggestions of others did not do. Litroff has, obviously, no feeling
against her; he even speaks of her with reluctance and admiration:
therefore his testimony has a truthfulness about it which would be
lacking in any mere malicious scandal.
It is intensely painful to him to believe, or even to admit to himself
as possible, that it may be thus true. She seems to him a very queen
among women: all the romance of his temperament clothes her with ideal
qualities. He walks on unconsciously till he has left the west garden
and entered the wood which joins it, and the grassy seats made
underneath the boughs. As he goes, his heart thrills, his pulse
quickens: he sees Madame Sabaroff. She is seated on one of the turf
banks, reading, the dog of the house at her feet. He has almost walked
on to her before he has perceived her.
"I beg your pardon," he murmurs, and pauses, undecided whether to go or
stay.
She looks at him a little surprised at the ceremony of his manner.
"For what do you beg my pardon? You are as free of the wood as I," she
replies, with a smile. "I promised the children to keep their dogs
quiet, and to await them here as they return from their church."
"You are too good to the children," says Brandolin, still with
restraint. Her eyes open with increased surprise. She has never seen his
manner, usually so easy, nonchalant, and unstudied, altered before.
"He must have heard bad news," she thinks, but says nothing, and keeps
her book open.
Brandolin stands near, silent and absorbed. He is musing what worlds he
would give, if he had them, to know whether the story is true! He longs
passionately to ask her in plain words, but it would be too brutal and
too rude; he has not known her long enough to be able to presume to do
so.
He watches the sunshine fall through the larch boughs on to her hands in
their long loose gloves and touch the pearls which she always wears at
her throat.
"How very much he is unlike himself!" she thinks; she misses his
spontaneous and picturesque eloquence, his warm _abandon_ of manner, his
caressing deference of tone. At that moment there is a gleam of white
between the trees, a sound of voices in the distance.
The family party are returning from church. The dogs jump up and wag
their tails and bark their welcome. The Babe is dashing on in advance.
There is an end of their brief _tête-à-tête_; he passionately regrets
the loss of it, though he is not sure of what he would have said in it.
"Always together!" says Dulcia Waverley, in a whisper, to Usk, as she
sees them. "Does he know that he succeeds Lord Gervase, do you think?"
Public-domain text, read in full here on John Shaqi.
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