A House-Party, Don Gesualdo, and A Rainy JuneOuida
General
A House-Party, Don Gesualdo, and A Rainy June
Ouida
English fiction
Of all natural gifts, a love of natural beauty surely brings most
happiness to the possessor of it,--happiness altogether unalloyed and
unpurchasable, and created by the mere rustle of green leaves, the mere
ripple of brown waters. It is not an Italian gift at all, nor an Italian
feeling; to an Italian, gas is more beautiful than sunshine, and a
cambric flower more beautiful than a real one; he usually thinks the
mountains hateful and a city divine, he detests trees and adores crowds.
But there are exceptions to all rules: there are poetic natures
everywhere, though everywhere rare: Gesualdo was the exception in Marca
and its neighborhood, and evening after evening saw him in the summer
weather strolling through the fields, his breviary in his hand, but his
heart with the dancing fire-flies, the quivering poplar leaves, the tall
green cane, the little silvery fish darting over the white stones of the
shallow river-waters. He could not have told why he loved to watch these
things: he thought it was because they reminded him of Bocca d'Arno and
the sand-beach and the canebrakes; but he did love them, and they filled
him with that vague emotion, half pleasure, half pain, known to all who
love Nature for herself alone.
His supper over, he went into his church: a little, red-bricked,
whitewashed passage connected it with his parlor. The church was small,
and dark, and old; it had an altar-piece said to be old, and by a
Sienese master, and of some value, but Gesualdo knew nothing of these
matters: a Raphael might have hung there and he would have been none the
wiser. He loved the church, ugly and simple as it was, as a mother loves
a plain child or a dull one because it is hers; and now and then he
preached strange, passionate, pathetic sermons in it, which none of his
people understood, and which he barely understood himself. He had a
sweet, full, far-reaching voice, with an accent of singular melancholy
in it, and as his mystical, romantic, involved phrases passed far over
the heads of his hearers, like a flight of birds flying high up against
the clouds, the pathos and music in his tones stirred their hearts
vaguely. He was certainly, they thought, a man whom the saints loved.
Candida, sitting near the altar with her head bowed and her hands
feeling her rosary, would think, as she heard the unintelligible
eloquence, "Dear Lord, all that power of words, all that skill of the
tongue, and he would put his shirt on bottom upward were it not for me!"
Public-domain text, read in full here on John Shaqi.
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