In the meanwhile ’The Vineyard’ swaggered and held itself a thought more
brazenly than heretofore, on the strength of its visionary election.
Always a clamorous rookery, one might have fancied at this time a
certain increase in the boisterous obscenity of its note, as that might
presage the fulfilment of some plan for its breaking out, and planting
itself in new black colonies all over the city. But as certainly, if
this were so, its illusionment was a very may-fly’s dance.
Now as, on a noon of this late Autumn, we are brought to penetrate its
intricacies, a certain symbolic fitness in its title may or may not
occur to us. Supposing that it does, we will accept this Via
Maladizione where we stand, this gorge of narrow high-flung tenements,
looped between with festoons of glowing rags, for the supports and dead
trailers of a gathered vintage. Below, the vats are full to brimming,
and the merchants of life and death forgathered in the markets.
Half-way down the street a little degraded church suddenly spouts a
friar, who, punch-like, hammers out on the steps his rendering of the
new nature, which is to remember its cash obligations to Christ, and so
vanishes again in a clap of the door. A barber, shaving a customer in
the open street, gapes and misses his stroke, thereby adding a trickle
to the sum of the red harvest. Mendicants pause and grin; oaths rise
and buzz on all sides, like dung-flies momentarily disturbed. And
predominant throughout, the vintagers, the true natives of the soil,
swarm and lounge and discuss, under a rent canopy, the chances of the
season and its likely profits.
Public-domain text, read in full here on John Shaqi.
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