’Bite?’ growled Visconti. ’And what about our occupation here?’
’Why, ’tis testing mail, nothing more. Is a lay-figure in an armoury so
strange?’
’Ay, when ’tis a portrait-model.’
’O glowing tribute to my art! I designed the doll, true. You make me
look down, sir, and simper and bite my finger. Yet my mind misgives me
thou flatterest. A portrait-model, yes; but will he recognise of whom?’
’The knave may—the shrewder fool of the pair.’
’The greater fool will testify to me? O happy artist! Well, if he do, I
will still account him naught. He will take the bait also. The shadow
swims and bites with the fish. Besides, should this befall, ’twill save
mayhap a world of preliminaries. Remember that "hop of grievance." He
comes, it seems, in a mood to jump with ours. Let them in.’
Like souls salvaged from a wreck they came—the Fool propping the
Saint—staggering in by the door. Grief and storm and weariness had
robbed the boy of speculation, almost of his senses. His drenched hair
hung in ropes, his wild eyes stared beneath like a frightened doe’s, his
clothes slopped on his limbs.
Narcisso struggled with the door and closed it.
Suddenly Bernardo, lifting his dazed lids, caught sight of the shadowed
lay-figure, recoiled, and shrieking out hoarsely:—’Galeazzo! Thou! O
God, doomed soul!’ tottered and slid through Cicada’s limp arms upon the
floor. Instantly Narcisso was down by his side, and fumbling with his
hands.
’A’s in a swound,’ he was beginning, when, with a rush and heave, the
Fool sent him wallowing.
’Darest thou, hog! darest thou! Go rub thy filthy hoofs in ambergris
first!’ and he squatted, snarling and showing his teeth.
Narcisso rose, to a chorus of laughter, and stood grinning and rubbing
his head.
’Well, I never!’ he said.
*CHAPTER XIII*
The Countess of Casa Caprona was a widow. The news was waiting to
overwhelm, or transport, her upon her return to the castello after her
interview with Lanti. On the one hand it committed her to dowagery,
that last infirmity of imperious minds; on the other to the freedom of a
glorified spinsterhood. Though she recognised that, on the whole, the
blow was destructive of the real zest of intrigue, she behaved very
handsomely by the memory of the deceased, who had died, like a soldier,
in harness. She caused a solemn requiem mass to be sung for him in the
Duomo; she commissioned a monody, extolling his marital virtues, from an
expensive poet; she distributed liberal alms to the poor of the city.
There is no trollop so righteous in her matronhood as she made timely a
widow. Besides, to this one, the zest of all zests for the moment was
revenge. She withdrew to mature it, and to lament orthodoxly her lord,
to her dower-house in the Via Sforza.
Public-domain text, read in full here on John Shaqi.
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