Max has gone about all day with a scared, white face. They say he is
suffering from cold feet. But I will not believe it. He has just
appeared in the mess-room and summoned me mysteriously. He takes me
along the corridor to that room of his which he is so proud of. There is
a brand-new uniform lying on the bed, the uniform of a French soldier
of the line. Max handles it with love and holy adoration, as a priest
handles his sacred vestments. He takes it in his arms, he spreads before
me the grey-blue coat, the grey-blue trousers, and his queer eyes are in
their solemnity large and quiet as dark moons.
Max is going to rejoin his regiment.
It is sheer nervous excitement that gave him that wild, white face.
Max is confident that we shall meet again; and I have a horrid vision of
Max carried on a bloody stretcher, a brutally wounded Max.
He has given me his address in Brussels, which will not find him there
for long enough: if ever.
Jean also is to rejoin his regiment.
Marie, the _bonne_, stands at the door of the service room and watches
us with frightened eyes. She follows me into the mess-room and shuts the
door. The poor thing has been seized with panic, and her one idea is to
get away from Ghent. Can I find a place for her on one of our ambulance
cars? She will squeeze in anywhere, she will stand outside on the step.
Will I take her back to England? She will do any sort of work, no matter
what, and she won't ask for wages if only I will take her there. I tell
her we are not going to England. We are going to Bruges. We have to
follow the Belgian Army wherever it is sent.
Then will I take her to Bruges? She has a mother there.
It is ghastly. I have to tell her that it is impossible; that there will
be no place for her in the ambulance cars, that they will be crammed
with wounded, that we will have to stand on the steps ourselves, that I
do not know how many we shall have to take from the Convent, or how many
from the hospitals; that I can do nothing without the Commandant's
orders, and that the Commandant is not here. And she pleads and
implores. She cannot believe that we can be so cruel, and I find my
voice growing hard and stern with sheer, wrenching pity. At last I tell
her that if there is room I will see what can be done, but that I am
afraid that there will not be room. She stays, she clings, trying to
extort through pity a more certain promise, and I have to tell her to
go. She goes, looking at me with the dull resentment of a helpless
creature whom I have hurt. The fact that she has left me sick with pity
will not do her any good. Nothing can do her any good but that place on
the ambulance which I have no power to give her.
For Marie is not the only one.
I see all the servants in the "Flandria" coming to me before the night
is over, and clinging and pleading for a place in the ambulance cars.
Public-domain text, read in full here on John Shaqi.
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