Brazil -- Description and travel; Geology -- Amazon River Valley
Sometimes the trees had thrown down from their branches those
singular aerial roots so common here, and seemed standing on stilts.
Here and there, where we coasted along by the bank, we had a glimpse
into the deeper forest, with its drapery of lianas and various creeping
vines, and its parasitic sipos twining close around the trunks or
swinging themselves from branch to branch like loose cordage. But
usually the margin of the lake was a gently sloping bank, covered with a
green so vivid and yet so soft, that it seemed as if the earth had been
born afresh in its six months’ baptism, and had come out like a new
creation. Here and there a palm lifted its head above the line of
forest, especially the light, graceful Assai, its crown of feathery
leaves vibrating above the tall, slender, smooth stem with every breeze.
Half an hour’s row brought us to the landing of the sitio for which we
were bound. Usually the sitios stand on the bank of the lake or river, a
stone’s throw from the shore, for convenience of fishing, bathing, &c.
But this one was at some distance, with a very nicely kept path winding
through the forest. It stood on the brow of a hill which dipped down on
the other side into a wide and deep ravine; through this ravine ran an
igarapé, beyond which the land rose again in an undulating line of hilly
ground, most refreshing to the eye after the flat character of the Upper
Amazonian scenery. The fact that this sitio, standing now on a hill
overlooking the valley and the little stream at its bottom, will have
the water nearly flush with the ground around it, when the igarapé is
swollen by the rise of the river, gives an idea of the difference of
aspect between the dry and wet seasons. The establishment consisted of a
number of buildings, the most conspicuous being a large open room, which
the Indian Senhora who did the honors of the house told me was their
reception-room, and was often used, she said, by the “brancas” from
Manaos and the neighborhood for an evening dance, when they came out in
a large company and passed the night. A low wall, some three or four
feet in height, ran along the sides, wooden benches being placed against
them for their whole length. The two ends were closed from top to bottom
with a wall made of palm-thatch, exceedingly pretty, fine, and smooth,
and of a soft straw color. At the upper end stood an immense
embroidery-frame, looking as if it might have served for Penelope’s web,
but in which was stretched an unfinished hammock of palm-thread, the
Senhora’s work. She sat down on a low stool before it and worked a
little for my benefit, showing me how the two layers of transverse
threads were kept apart by a thick, polished piece of wood, something
like a long, broad ruler. Through the opening thus made the shuttle is
passed with the cross thread, which is then pushed down and straightened
in its place by means of the same piece of wood. After we had rested for
Public-domain text, read in full here on John Shaqi.
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