A Knight of the Nineteenth CenturyRoe, Edward Payson
General
A Knight of the Nineteenth Century
Roe, Edward Payson
Fiction
Laura had soon become conscious of this close tentative scrutiny, and at
first she had been inclined to resent its cool deliberateness. But,
remembering that a man certainly has a right to learn well the character
of the woman whom he may ask to be his wife, she felt that there was
nothing in his action of which she could complain; and it soon became a
matter of pride with her, as much as anything else, to satisfy those
fastidious eyes that hitherto had critically looked the world over, and
in vain, for a pearl with a lustre sufficiently clear. She began to
study his taste, to dress for him, to sing for him, to read his favorite
authors; and so perfect was his taste that she found herself aided and
enriched by it. He was her superior in these matters, for he had made
them his life-study. The first hour that she spent with him in a
picture-gallery was long remembered, for never before had those fine and
artistic marks which make a painting great been so clearly pointed out
to her. She was brought to believe that this man could lead her to the
highest point of culture to which she could attain, and satisfy every
refined taste that she possessed. It seemed as if he could make life one
long gallery of beautiful objects, through which she might stroll in
elegant leisure, ever conscious that lie who stood by to minister and
explain was looking away from all things else in admiration of herself.
The prospect was too alluring. Laura was not an advanced female, with a
mission; she was simply a young and lovely woman, capable of the noblest
action and feeling should the occasion demand them, but naturally
luxurious and beauty-loving in her tastes, and inclined to shun the
prosaic side of life.
She made Beaumont feel that she also was critical and exacting. She had
lived too long under Mrs. Arnot's influence to be satisfied with a man
who merely lived for the pleasure he could get out of each successive
day. He saw that she demanded that he should have a purpose and aim in
life, and he skilfully met this requirement by frequently descanting on
aesthetic culture as the great lever which could move the world, and by
suggesting that the great question of his future was how he could best
bring this culture to the people. As a Christian, she took issue with
him as to its being the great lever, but was enthusiastic over it as a
most powerful means of elevating the masses, and she often found herself
dreaming over how much a man gifted with Mr. Beaumont's exquisite taste
and large wealth could do by placing within the reach of the multitude
objects of elevating art and beauty.
Public-domain text, read in full here on John Shaqi.
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