A Knight of the Nineteenth CenturyRoe, Edward Payson
General
A Knight of the Nineteenth Century
Roe, Edward Payson
Fiction
Gradually, however, the glamour thrown around her new relationship by
its very novelty, by unnumbered congratulations, and the excitement
attendant on so momentous a step in a young lady's life, began to pass
away. Every fine drive in the country surrounding the city had been
taken again and again; all the fine galleries had been visited, and the
finer pictures admired and dwelt upon in Mr. Beaumont's refined and
quiet tones, until there was little more to be said. Laura had come to
know exactly why her favorite paintings were beautiful, and precisely
the marks which gave them value. The pictures remained just as
beautiful, but she became rather tired of hearing Mr. Beaumont analyze
them. Not that she could find any fault with what he said, but it was
the same thing over and over again. She became, slowly and unpleasantly,
impressed with the thought that, while Mr. Beaumont would probably take
the most correct view of every object that met his eye, he would always
take the same view, and, having once heard him give an opinion, she
could anticipate on all future occasions just what he would say. We all
know, by disagreeable experience, that no man is so wearisome as he who
repeats himself over and over again without variation, no matter how
approved his first utterance may have been. Beaumont was remarkably
gifted with the power of forming a correct judgment of the technical
work of others in all departments of art and literature, and to the
perfecting of this accurate aesthetic taste he had given the energies of
his maturer years. He had carefully scrutinized in every land all that
the best judges considered pre-eminently great and beautiful, but his
critical powers were those of an expert, a connoisseur, only. His mind
had no freshness or originality. He had very little imagination. Laura's
spirit would kindle before a beautiful painting until her eyes suffused
with tears. He would observe coolly, with an eye that measured and
compared everything with the received canons of art, and if the drawing
and coloring were correct he was simply--satisfied.
Again, he had a habit of forgetting that he had given his artistic views
upon a subject but a brief time before, and would repeat them almost
word for word, and often his polished sentences and quiet monotone were
as wearisome as a thrice-told tale.
Public-domain text, read in full here on John Shaqi.
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