A Knight of the Nineteenth CenturyRoe, Edward Payson
General
A Knight of the Nineteenth Century
Roe, Edward Payson
Fiction
When the telegram which announced Mr. Poland's death was received, he
tried to comfort her by words that were so peculiarly elegant and
sombre, that, in spite of Laura's wishes to think otherwise, they struck
her like an elegiac address that had been carefully prearranged and
studied; and when the tidings of poor little Bertha's death came, it
would occur to Laura that Mr. Beaumont had thought his first little
address so perfect that he could do no better than to repeat it, as one
might use an appropriate burial service on all occasions. He meant to be
kind and considerate. He was "ready to do anything in his power," as he
often said. But what was in his power? As telegrams and letters came,
telling of death, of desperate illness, and uncertain life, of death
again, of manly help, of woman-like self-sacrifice in the same man, her
heart began to beat in quick, short, passionate throbs. Bat it would
seem that nothing could ever disturb the even rhythm of Beaumont's
pulse. He tried to show his sympathy by turning his mind to all that was
mournful and sombre in art and literature. One day he brought to her
from New York what he declared to be the finest arrangement of dirge
music for the piano extant, and she quite surprised him by declaring
with sudden passion that she could not and would not play a note of it.
In her deep sorrow and deeper anxiety, in her strange and miserable
unrest, which had its hidden root in a cause not yet understood, she
turned to him again and again for sympathy, and he gave her abundant
opportunity to seek it, for Laura was the most beautiful object he had
ever seen; and therefore, to feast his eye and gratify his ear, he spent
much of his time with her; so much, indeed, that she often grew drearily
weary of him. But no matter when or how often she would look into his
face for quick, heartfelt appreciation, she saw with instinctive
certainty that, more than lover, more than friend, and eventually, more
than husband, he was, and ever would be, a connoisseur. When she smiled
he was admiring her, when she wept he was also admiring her. Whatever
she did or said was constantly being looked at and studied from an
aesthetic standpoint by this man, whose fastidious taste she had thus
far satisfied. More than once she had found herself asking: "Suppose I
should lose my beauty, what would he do?" and the instinctive answer of
her heart was: "He would honorably try to keep all his pledges, but
would look the other way."
Before she was aware of it, she had begun to compare her affianced with
Haldane, and she found that the one was like a goblet of sweet, rich
wine, that was already nearly exhausted and cloying to her taste; the
other was like a mountain spring, whose waters are pure, ever new,
unfailing, prodigally abundant, inspiring yet slaking thirst.
Public-domain text, read in full here on John Shaqi.
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