A Knight of the Nineteenth CenturyRoe, Edward Payson
General
A Knight of the Nineteenth Century
Roe, Edward Payson
Fiction
All on fire with his new project, he sallied forth to the nearest
news-stand, and selected two or three papers and magazines, whose
previous interest to him and known popularity suggested that they were
the best mediums in which he could rise upon the public as a literary
star, all the more attractive because unnamed and unknown.
His next proceeding indicated a commendable amount of shrewdness, and
proved that his roseate visions resulted more from ignorance and
inexperience than from innate foolishness. He carefully read the
periodicals he had bought, in the hope of obtaining hints and
suggestions from their contents which would aid him in producing
acceptable manuscripts. Some of the sketches and stories appeared very
simple, the style flowing along as smoothly and limpidly as a summer
brook through the meadows. He did not see why he could not write in a
similar vein, perhaps more excitingly and interestingly. In his partial
and neglected course of study he had not given much attention to
_belles-lettres_, and was not aware that the simplicity and lucid
purity of thought which made certain pages so easily read were produced
by the best trained and most cultured talent existing among the regular
contributors.
He spent the evening and the greater part of a sleepless night in
constructing a crude plot of a story, and, having procured writing
materials, hastened through an early breakfast, the following morning,
in his eagerness to enter on what now seemed a shining path to fame.
He sat down and dipped his pen in ink. The blank, white page was before
him, awaiting his brilliant and burning thoughts; but for some reason
they did not and would not come. This puzzled him. He could dash off a
letter, and write with ease a plain business statement. Why could he not
commence and go on with his story?
"How do those other fellows commence?" he mentally queried, and he again
carefully read and examined the opening paragraphs of two or three tales
that had pleased him. They seemed to commence and go forward very easily
and naturally. Why could not he do the same?
To his dismay he found that he could not. He might as well have sat down
and hoped to have deftly and skilfully constructed a watch as to have
imitated the style of the stories that most interested him, for he had
never formed even the power, much less the habit, of composition.
After a few labored and inconsequential sentences, which seemed like
crude ore instead of the molten, burning metal of thought left to cool
in graceful molds, he threw aside his pen in despair.
After staring despondently for a time at the blank page, which now
promised to remain as blank as the future then seemed, the fact suddenly
occurred to him that even genius often spurred its flagging or dormant
powers by stimulants. Surely, then, he, in his pressing emergency, had a
right to avail himself of this aid. A little brandy might awaken his
imagination, which would then kindle with his theme.
Public-domain text, read in full here on John Shaqi.
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