Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
Meanwhile Dare had come forward with his portfolio, which proved to be
full of photographs. While Paula and Charlotte were examining them he
said to De Stancy, as a stranger: ‘Excuse my interruption, sir, but if
you should think of copying any of the portraits, as you were stating
just now to the ladies, my patent photographic process is at your
service, and is, I believe, the only one which would be effectual in the
dim indoor lights.’
‘It is just what I was thinking of,’ said De Stancy, now so far cooled
down from his irritation as to be quite ready to accept Dare’s adroitly
suggested scheme.
On application to Paula she immediately gave De Stancy permission to
photograph to any extent, and told Dare he might bring his instruments
as soon as Captain De Stancy required them.
‘Don’t stare at her in such a brazen way!’ whispered the latter to the
young man, when Paula had withdrawn a few steps. ‘Say, “I shall highly
value the privilege of assisting Captain De Stancy in such a work.”’
Dare obeyed, and before leaving De Stancy arranged to begin performing
on his venerated forefathers the next morning, the youth so accidentally
engaged agreeing to be there at the same time to assist in the technical
operations.
III.
As he had promised, De Stancy made use the next day of the coveted
permission that had been brought about by the ingenious Dare. Dare’s
timely suggestion of tendering assistance had the practical result of
relieving the other of all necessity for occupying his time with the
proceeding, further than to bestow a perfunctory superintendence now
and then, to give a colour to his regular presence in the fortress, the
actual work of taking copies being carried on by the younger man.
The weather was frequently wet during these operations, and Paula,
Miss De Stancy, and her brother, were often in the house whole mornings
together. By constant urging and coaxing the latter would induce his
gentle sister, much against her conscience, to leave him opportunities
for speaking to Paula alone. It was mostly before some print or painting
that these conversations occurred, while De Stancy was ostensibly
occupied with its merits, or in giving directions to his photographer
how to proceed. As soon as the dialogue began, the latter would withdraw
out of earshot, leaving Paula to imagine him the most deferential young
artist in the world.
‘You will soon possess duplicates of the whole gallery,’ she said on one
of these occasions, examining some curled sheets which Dare had printed
off from the negatives.
‘No,’ said the soldier. ‘I shall not have patience to go on. I get
ill-humoured and indifferent, and then leave off.’
‘Why ill-humoured?’
Public-domain text, read in full here on John Shaqi.
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