Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
It had not been a productive meeting, thus far. ‘One word!’ said De
Stancy, following and almost clasping her hand. ‘I have given offence, I
know: but do let it all fall on my own head--don’t tell my sister of
my misbehaviour! She loves you deeply, and it would wound her to the
heart.’
‘You deserve to be told upon,’ said Paula as she withdrew, with just
enough playfulness to show that her anger was not too serious.
Charlotte looked at Paula uneasily when the latter joined her in the
drawing-room. She wanted to say, ‘What is the matter?’ but guessing that
her brother had something to do with it, forbore to speak at first. She
could not contain her anxiety long. ‘Were you talking with my brother?’
she said.
‘Yes,’ returned Paula, with reservation. However, she soon added, ‘He
not only wants to photograph his ancestors, but MY portrait too. They
are a dreadfully encroaching sex, and perhaps being in the army makes
them worse!’
‘I’ll give him a hint, and tell him to be careful.’
‘Don’t say I have definitely complained of him; it is not worth while
to do that; the matter is too trifling for repetition. Upon the whole,
Charlotte, I would rather you said nothing at all.’
De Stancy’s hobby of photographing his ancestors seemed to become a
perfect mania with him. Almost every morning discovered him in
the larger apartments of the castle, taking down and rehanging the
dilapidated pictures, with the assistance of the indispensable Dare;
his fingers stained black with dust, and his face expressing a busy
attention to the work in hand, though always reserving a look askance
for the presence of Paula.
Though there was something of subterfuge, there was no deep and double
subterfuge in all this. De Stancy took no particular interest in his
ancestral portraits; but he was enamoured of Paula to weakness. Perhaps
the composition of his love would hardly bear looking into, but it was
recklessly frank and not quite mercenary. His photographic scheme was
nothing worse than a lover’s not too scrupulous contrivance. After the
refusal of his request to copy her picture he fumed and fretted at the
prospect of Somerset’s return before any impression had been made on
her heart by himself; he swore at Dare, and asked him hotly why he had
dragged him into such a hopeless dilemma as this.
‘Hopeless? Somerset must still be kept away, so that it is not hopeless.
I will consider how to prolong his stay.’
Thereupon Dare considered.
Public-domain text, read in full here on John Shaqi.
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