Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
Time, however, dragged somewhat heavily along in the interim, and on the
second day he thought he would call on his father and tell him of his
success in obtaining the appointment.
The elder Mr. Somerset lived in a detached house in the north-west part
of fashionable London; and ascending the chief staircase the young
man branched off from the first landing and entered his father’s
painting-room. It was an hour when he was pretty sure of finding the
well-known painter at work, and on lifting the tapestry he was not
disappointed, Mr. Somerset being busily engaged with his back towards
the door.
Art and vitiated nature were struggling like wrestlers in that
apartment, and art was getting the worst of it. The overpowering gloom
pervading the clammy air, rendered still more intense by the height of
the window from the floor, reduced all the pictures that were standing
around to the wizened feebleness of corpses on end. The shadowy parts
of the room behind the different easels were veiled in a brown vapour,
precluding all estimate of the extent of the studio, and only subdued
in the foreground by the ruddy glare from an open stove of Dutch tiles.
Somerset’s footsteps had been so noiseless over the carpeting of the
stairs and landing, that his father was unaware of his presence; he
continued at his work as before, which he performed by the help of a
complicated apparatus of lamps, candles, and reflectors, so arranged as
to eke out the miserable daylight, to a power apparently sufficient for
the neutral touches on which he was at that moment engaged.
The first thought of an unsophisticated stranger on entering that room
could only be the amazed inquiry why a professor of the art of colour,
which beyond all other arts requires pure daylight for its exercise,
should fix himself on the single square league in habitable Europe to
which light is denied at noonday for weeks in succession.
‘O! it’s you, George, is it?’ said the Academician, turning from the
lamps, which shone over his bald crown at such a slant as to reveal
every cranial irregularity. ‘How are you this morning? Still a dead
silence about your grand castle competition?’
Public-domain text, read in full here on John Shaqi.
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