Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
The borough natives had ascended to their upper floors, and were putting
out their candles one by one as he passed along the streets; but
the lively strains that proceeded from the central edifice revealed
distinctly enough what was going on among the temporary visitors from
the neighbouring manors. The doors were opened for him, and entering
the vestibule lined with flags, flowers, evergreens, and escutcheons, he
stood looking into the furnace of gaiety beyond.
It was some time before he could gather his impressions of the scene,
so perplexing were the lights, the motions, the toilets, the full-dress
uniforms of officers and the harmonies of sound. Yet light, sound, and
movement were not so much the essence of that giddy scene as an intense
aim at obliviousness in the beings composing it. For two or three hours
at least those whirling young people meant not to know that they were
mortal. The room was beating like a heart, and the pulse was regulated
by the trembling strings of the most popular quadrille band in Wessex.
But at last his eyes grew settled enough to look critically around.
The room was crowded--too crowded. Every variety of fair one, beauties
primary, secondary, and tertiary, appeared among the personages
composing the throng. There were suns and moons; also pale planets of
little account. Broadly speaking, these daughters of the county
fell into two classes: one the pink-faced unsophisticated girls from
neighbouring rectories and small country-houses, who knew not town
except for an occasional fortnight, and who spent their time from Easter
to Lammas Day much as they spent it during the remaining nine months of
the year: the other class were the children of the wealthy landowners
who migrated each season to the town-house; these were pale and
collected, showed less enjoyment in their countenances, and wore in
general an approximation to the languid manners of the capital.
A quadrille was in progress, and Somerset scanned each set. His mind had
run so long upon the necklace, that his glance involuntarily sought out
that gleaming object rather than the personality of its wearer. At the
top of the room there he beheld it; but it was on the neck of Charlotte
De Stancy.
The whole lucid explanation broke across his understanding in a second.
His dear Paula had fetched the necklace that Charlotte should not appear
to disadvantage among the county people by reason of her poverty. It was
generously done--a disinterested act of sisterly kindness; theirs was
the friendship of Hermia and Helena. Before he had got further than
to realize this, there wheeled round amongst the dancers a lady whose
tournure he recognized well. She was Paula; and to the young man’s
vision a superlative something distinguished her from all the rest. This
was not dress or ornament, for she had hardly a gem upon her, her
attire being a model of effective simplicity. Her partner was Captain De
Stancy.
Public-domain text, read in full here on John Shaqi.
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