Architects -- Fiction; Castles -- Conservation and restoration -- Fiction; Love stories; Wessex (England) -- Fiction
But it was upon Captain De Stancy and Mrs. Camperton that the weight
of preparation fell. Somerset, through being much occupied in the
drawing-office, was seldom present during the consultations and
rehearsals: until one day, tea being served in the drawing-room at the
usual hour, he dropped in with the rest to receive a cup from Paula’s
table. The chatter was tremendous, and Somerset was at once consulted
about some necessary carpentry which was to be specially made at
Markton. After that he was looked on as one of the band, which resulted
in a large addition to the number of his acquaintance in this part of
England.
But his own feeling was that of being an outsider still. This vagary
had been originated, the play chosen, the parts allotted, all in his
absence, and calling him in at the last moment might, if flirtation were
possible in Paula, be but a sop to pacify him. What would he have given
to impersonate her lover in the piece! But neither Paula nor any one
else had asked him.
The eventful evening came. Somerset had been engaged during the day with
the different people by whom the works were to be carried out and in the
evening went to his rooms at the Lord-Quantock-Arms, Markton, where
he dined. He did not return to the castle till the hour fixed for the
performance, and having been received by Mrs. Goodman, entered the large
apartment, now transfigured into a theatre, like any other spectator.
Rumours of the projected representation had spread far and wide. Six
times the number of tickets issued might have been readily sold. Friends
and acquaintances of the actors came from curiosity to see how they
would acquit themselves; while other classes of people came because they
were eager to see well-known notabilities in unwonted situations. When
ladies, hitherto only beheld in frigid, impenetrable positions behind
their coachmen in Markton High Street, were about to reveal their hidden
traits, home attitudes, intimate smiles, nods, and perhaps kisses, to
the public eye, it was a throwing open of fascinating social secrets not
to be missed for money.
The performance opened with no further delay than was occasioned by the
customary refusal of the curtain at these times to rise more than two
feet six inches; but this hitch was remedied, and the play began. It was
with no enviable emotion that Somerset, who was watching intently, saw,
not Mr. Mild, but Captain De Stancy, enter as the King of Navarre.
Somerset as a friend of the family had had a seat reserved for him
next to that of Mrs. Goodman, and turning to her he said with some
excitement, ‘I understood that Mr. Mild had agreed to take that part?’
‘Yes,’ she said in a whisper, ‘so he had; but he broke down. Luckily
Captain De Stancy was familiar with the part, through having coached the
others so persistently, and he undertook it off-hand. Being about the
same figure as Lieutenant Mild the same dress fits him, with a little
alteration by the tailor.’
Public-domain text, read in full here on John Shaqi.
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